Ambassador Fragmentation Sculpture

MAG, (1963- ). MAG produces a serial work based on the observation of our violent environmental decadence. He describes his work as a poetic-ethnic urban junk celebration! By elevating ordinary objects to the status of art, he challenges ideas about what constitutes art. He does not accept atypical etiquette-(label)post-industrial, neo-new-conceptual realist I prefer that my work is considered "social default"! or "E-situationist" "My work is engaged and shows a certain point of view of the global world. I work with icons of the world culture and trying to show their place in globalization. I put on the stage the symbols of consumption and spcial problematic social. Our lives, our social actions are henceforth defined by models of consumption,Sometimes I feel like I live in this existential vacuum, then I fill the dizziness. I often have difficulty in understanding the value of collective codes with which we communicate, I think my work fall outside a logical, although I develop theories in their creations, knowing that their truths owe nothing to intellectualism. I have not mastered correctly my imagination, it is obviously congested with all sorts of contradiction. In the skin of an urban archaeologist, I do not want to lock myself in a format, in a medium, I have neither knowledge nor proceed. I manipulate, alter and be urgent."