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Sculpture, Fabric on Soft (Yarn, Cotton, Fabric)
Size: 19.7 W x 19.7 H x 0.6 D in
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Series: “BLABLA” Felt Fuchsia/Petrol Blabla, (onomatopoeic expression, of international use, to indicate a vain, futile, without construct speech or chatter), a conventional symbol of appearance, of external behavior and of the negation of existence, assumes and interprets the reflected thought of our civilization as an alternative to the way of "being" and "truth". The series of bas-reliefs "BLABLA Felt" is part of a series of works characterized by homogeneity of themes and physical similarity in an orderly and continuous succession of elements of the same kind and by a research on "Divergent" materials and chromatic solutions whose innumerable variables they have infinity as a limit. Title: BLABLA Felt Technique: Bas-relief in felt 100% wool on Mdf Bas-relief size: cm. 50 x 50 x 1.5 Size with frame: cm. 54 x 54 x 5 Year: 2020 Weight: Kg 4 Serie: BLABLA Felt Red/Blue Green/Red Purple/Green Petrol/Purple Fuchsia/Petrol Blue/Fuchsia Blabla, (espressione onomatopeica, di uso internazionale, per indicare un discorso o un chiacchiericcio vano, futile, senza costrutto), simbolo convenzionale dell’apparenza, del comportamento esteriore e della negazione dell’esistenza, assume e interpreta il pensiero riflesso della nostra civiltà come alternativa alla via dell’«essere» e della «verità». La serie di bassorilievi “BLABLA Felt” fa parte di una serie di opere caratterizzate da omogeneità di temi e somiglianza fisica in un succedersi ordinato e continuo di elementi dello stesso genere e da una ricerca su materiali e soluzioni cromatiche “Divergenti” le cui innumerevoli variabili hanno per limite l’infinito. Titolo: BLABLA Felt Fuchsia/Petrol Tecnica: Bassorilievo in feltro 100% lana su Mdf Dimensione bassorilievo: cm. 50 x 50 x 1,5 Dimensione con cornice: cm. 54 x 54 x 5 Anno: 2020 Peso: Kg 4
2020
Fabric on Soft (Yarn, Cotton, Fabric)
One-of-a-kind Artwork
19.7 W x 19.7 H x 0.6 D in
Brown
Not applicable
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He began his training as an advertising graphic taking care of the image of the musical and cultural events of various associations of his city Nuoro. At the same time he began his artistic career experimenting pictorial techniques on alphanumeric typographic language. What interests him are some of the printing methods and in particular the typographic technique of the "relief form composed of movable type" (type), from which it draws inspiration; inspiration that begins to manifest itself in the works presented at the first national exhibition in which it participates, "Artefiera" of 1992 in Florence. His work is also appreciated by critics who recognize the award as the best young person under 25. The remarkable confirmation and the conceptual impact of pictorial representations of the symbols commonly called Type, had, and has, a primary importance in the symbolic research of the creative path elaborated by the artist in the following years. The method "Gutemberg - universal and primordial symbol of mass communication not only in the dissemination of culture, but also in the social and civil formation of peoples and in the progress of communication itself - is contextualized and used in pictorial representation, as a universal idiom of visual communication : the Type graphic sign evokes the immediate visual link between the object in its materiality (graphic sign engraved on a wooden parallelepiped) and its pictorial representation, which becomes the basis of global visual communication. In the work TypeCity, engobed red-clay bas-relief, created in 2003 and presented at the most important ceramics competition in Sardinia, the letters and numbers give a peculiar physiognomy to the work that takes on its characteristic alphanumeric code through the use of multiple characters types of different sizes and shapes which alternate and follow one another, in an absolutely random order, but in perfect compositional balance. Recent example of the use of Type is given by the pictorial series "Letters" started in 2008 with progressive numbering 01-236 and still in progress today. The fundamental step that broadens the cultural and artistic path of Francesco Alpigiano takes place in 1999 with the winning of the sculpture competition organized by the Costantino Nivola Foundation.
Artist featured by Saatchi Art in a collection
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