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Chain Reaction Sculpture

Susie Olczak

United Kingdom

Sculpture, 3D Sculpting on Other

Size: 11 W x 11.8 H x 11 D in

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About The Artwork

This body of work made for the MA show at the Royal College of Art is a chain reaction of experimental making. A process of constructing, taking apart and reconfiguring. It uses the idea of the artist model and materials in a studio or an architectural practice to speak of both the calm and chaos of London as a city. The sculptures layer up optical print and become a blur. This is an experience reminiscent of when people move through cities or the grids of digital space- being lost in the pixels. It aims to playfully encourage the viewer to question what is real and what is fake, commenting on how so often now in society it is difficult to discern reality. The forms give a sense of being able to be reconfigured in order to offer the viewer, the hope of control over the spaces around them. On sections of the works, silicone and paint form expressive layers, they obscure the view further. This is intended to ask the audience to reconsider how they see and experience the world. Questioning their focus on the slick nature of the shiny screen-like transparent forms and the printed media they are often exposed to. The silicone is a nod to plastic use and the duality between this material being seductive yet sinister. Photographs of foliage creep into parts of the work, suggesting growth and movement and the way that in cities foliage is intertwined with geometry. The sculptures become both chaotic and playful and essentially, they are a way of collaging pieces of the world together. Focusing in on the details and framed fragments, they push the viewer’s perception of scale and aim to be bold and dynamic works.

Details & Dimensions

Sculpture:3D Sculpting on Other

Original:One-of-a-kind Artwork

Size:11 W x 11.8 H x 11 D in

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With my work, I aim to make people more aware of the spaces around them by framing the details that are often overlooked when moving through transitory spaces. For example, the way that light flickers in-between railings when you move past them. I focus on those points where there is a discrepancy between what we think we see and what we are actually seeing. I use architectural materials - neon, stone, glass, concrete and steel – combining these in my works to consider urban spaces as systems comprised of balance, weight, and fragility. Recently I have begun combining materials found in the artist's studio such as paint and silicone alongside printed media to create sculptures using layers of material. I investigate our relationship with the built environment, how this is changing and how we are caught between altering states of flux and stability. I do this by creating works that are layers upon layers of print, precariously or imposingly balanced on one point, by using more fragile materials to prop up heavier masses, or by unusual combinations of materials such as the submersion of neon into water. Underpinning all my work are the themes of time, climate change, and urban development in the context of new technologies and post digital culture. I am interested in humans’ ever-increasing reliance on technology and in the flaws and details within this technology. Recently, I have been making works about how virtual space is navigated and works that highlight situations where a machine has taken over and caused errors or glitches in the materials. I am interested in the way that natural phenomena such as water and light affect our experience of the world around us. Water represents the passing of time. In my current research, I am focusing on the importance of water within cities and in the duality, that exists between water as a beautiful material that is difficult to control and water as something that is increasingly threatening. I am available for commissions. Please do get in touch if you are interested or if there is a work that has already sold and you would like something similar.

Artist Recognition

Artist featured in a collection

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