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One of the driving forces behind my kinetic work is to try and create a sense of movement within compositions which are mostly static. For me, this can help transfix the viewer creating a space for contemplation and reflection. I use a variety of materials that link what is man-made and what grows organically in the natural environment. I want to allow these materials to mimic our presence in nature through their composition and movement
One of the driving forces behind my kinetic work is to try and create a sense of movement within compositions which are mostly static. For me, this can help transfix the viewer creating a space for contemplation and reflection. I use a variety of materials that link what is man-made and what grows organically in the natural environment. I want to allow these materials to mimic our presence in nature through their composition and movement
One of the driving forces behind my kinetic work is to try and create a sense of movement within compositions which are mostly static. For me, this can help transfix the viewer creating a space for contemplation and reflection. I use a variety of materials that link what is man-made and what grows organically in the natural environment. I want to allow these materials to mimic our presence in nature through their composition and movement
One of the driving forces behind my kinetic work is to try and create a sense of movement within compositions which are mostly static. For me, this can help transfix the viewer creating a space for contemplation and reflection. I use a variety of materials that link what is man-made and what grows organically in the natural environment. I want to allow these materials to mimic our presence in nature through their composition and movement
One of the driving forces behind my kinetic work is to try and create a sense of movement within compositions which are mostly static. For me, this can help transfix the viewer creating a space for contemplation and reflection. I use a variety of materials that link what is man-made and what grows organically in the natural environment. I want to allow these materials to mimic our presence in nature through their composition and movement

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Congress Sculpture

Karolina Maszkiewicz

United States

Sculpture, Stone on Marble

Size: 29 W x 17 H x 29 D in

Ships in a Box

SOLD
Originally listed for $4,300

898 Views

91

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

One of the driving forces behind my kinetic work is to try and create a sense of movement within compositions which are mostly static. For me, this can help transfix the viewer creating a space for contemplation and reflection. I use a variety of materials that link what is man-made and what grows organically in the natural environment. I want to allow these materials to mimic our presence in nature through their composition and movement

DETAILS AND DIMENSIONS
Sculpture:

Stone on Marble

Original:

One-of-a-kind Artwork

Size:

29 W x 17 H x 29 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Karolina Maszkiewicz (b, Torun, Poland) lives and works in Los Angeles, CA. She has exhibited at Ochi Projects, Los Angeles, Ca, Ellsworth Gallery in Santa Fe, NM, and in G/ART/EN in Como, Italy Her work has been featured in the New York Times and Los Angeles Times. Karolina’s work is largely inspired by landscapes, with their stark outlines and clean color pallet. The kinetic form of her sculptures expresses motion through both their static elements and their moveable counterparts. The use of natural elements projects the feeling of being surrounded by nature.

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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