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United Kingdom
Sculpture, Steel on Steel
Size: 14 W x 37 H x 18 D in
Ships in a Crate
A Futurist response to masculinity, social hierarchy, to the 'look' of power, the swagger and strutting seen in those that seem to be successful, look as if they 'know it'. The work is determined by 'found' offcuts, experimenting with curved edges being pulled to meet, welded, and giving authorship to the outcomes into poetic gestures. A very high quality of surface finishing, treatment of edges, provides a sharpness and dynamic energy that is reminiscent of Umberto Boccioni's 'Unique Forms of Continuity in Space'.
Sculpture:Steel on Steel
Original:One-of-a-kind Artwork
Size:14 W x 37 H x 18 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Born England 1959, lives and practices in East Anglia. Currently active with sculpture and installations, but also painting, drawing, and writing. The material characteristics are central to form and content, as process invites responses, as a 'dialogue' between artist and media throughout the making. Concepts explore our phenomenolgical experience of 'being' in the world, how we interact with environments, objects, and time. The impact of consumerism as a specific social and material phenomenon is often 'in the mix' and leaning towards Constructivism. Studio practice is integral and essential to informing the work, with value given to experimenting at the workbench. 'Found' materials, the discarded 'collateral' of society, are often the dots that will be joined, that can result in an evocation of post-industrial wilderness. A fascination with natural processes of decay, set against mankind's' persistent attempts to 'better' them, and endure through manufacturing engineered constructs and relentless hard labours, sets the central dynamic that pervades this work.
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