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Discrete System | Critical Orbit Sculpture

Maja Quille

United Kingdom

Sculpture, Metal on Paper

Size: 28 W x 28 H x 2 D in

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About The Artwork

This work is based on geometrical shapes generated by a strand of chaos theory maths, combing two types of formulas, one explaining symmetry, the other chaos. It is a type of map or contemporary ‘mandala’ describing equilibrium, balance, time and the constant struggle between chaos and order. Made from hundreds of steel shards, the result of the same, mechanised action and yet all uniquely different; they are the result of the circumstances of a specific moment in time

Details & Dimensions

Sculpture:Metal on Paper

Original:One-of-a-kind Artwork

Size:28 W x 28 H x 2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Originally from Copenhagen, Denmark, I am currently based in London. Continually moving between sculptural forms, printmaking and drawing, my practice explores ways of breaking, dissecting, uncovering and redefining objects and patterns. Driven by curiosity, I have a strong interest in the intersection between art and science, particularly looking at the edges, the places where discourse and disciplines overlap. Many of my projects are developed through collaborations and dialogues with other professions and institutions such as physicists from CERN, Geneva; chemists, engineers and mathematicians from University of Edinburgh, archaeologists from Museum of London Archaeology and Soil Scientists from Cranfield University. Recent works look at the legacy of enlightenment and industrialisation and how entrenched patterns of thinking shape social value systems. Utilising the inherent magic and poetry in the unseen systems that underpin our world, I explore the edge between chaos and order, looking for patterns of how things interrelate culturally, geologically, politically and geographically. My work examines the overlooked and undervalued; domesticity, the idea of waste or inferior materials and how materials and objects are shaped by their historical, cultural and political context.

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