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Elena Bajo, Performance ILLUSION, DELUSION, ALLUSION (STUDIES FOR A MOVEMENT AT 66 RPM) THE ORDER OF ANARCHY Studies for an Exhibition Curated by Mat Sculpture
United States
Sculpture, Found Objects on Other
Size: 0.4 W x 0.4 H x 1 D in
About The Artwork
-Studies for an Exhibition Curated by Mathieu Copeland at The David Roberts Art Foundation Fitzrovia, London April 6 - June 11, 2011 ILLUSION, DELUSION, ALLUSION (STUDIES FOR A MOVEMENT AT 66 RPM) THE ORDER OF ANARCHY Performance by Elena Bajo in collaboration with London based dancers Mariana Tarragano, Mara Domenici, Paola di Bella. A new site-specific performance piece that confronts an anarchist manifesto, movement, objects, time,space and sound. The three dancers are given an anarchist manifesto to read that will generate their individual movements. The music of the performance is generated by translating each word of the anarchist manifesto into musical notes following a method John Cage used back in the sixties. The dancers have no knowledge in advance of the music that they will be dancing to or what the other dancer's movements will be. The process of not-knowing, indeterminacy and improvising is made visible, a space devoided of hierarhies is created
Details & Dimensions
Sculpture:Found Objects on Other
Original:One-of-a-kind Artwork
Size:0.4 W x 0.4 H x 1 D in
Frame:Not Framed
Ready to Hang:No
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United States
MA Central Saint Martins, London http://www.elenabajo.com Elena Bajo's concept-generated practice is concerned with the social and political dimensions of everyday spaces, the strategies to conceptualize resistance, the poetics of ideologies, and the relationship between temporalities and subjectivities. She works individually and collectively across installation, sculpture, painting, performance, participatory events, film, text and writing. She uses exhibition spaces as studios or laboratories, where an experimental, itinerant, sitespecific performed sculpture unfolds, improvised actions and choreographed movements. Having as a point of departure art production processes, working with places as they are given to her and limited by the materials available around them, she rearranges these found elements into a new composition, juxtaposing the identities of prefigured social and political spaces and dimensions, creating a sometimes cryptic but always revealing new code of signifiers. A restaging of a space and time, of the past, into future events that uses chance, contingency and ambiguity of the moment
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