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Fluvial Disposition Sculpture
Canada
Sculpture, Steel on Steel
Size: 16 W x 45 H x 11.5 D in
Ships in a Crate
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About The Artwork
The form of the sculpture takes direct queues from museum consoles traditionally used for interpretive information to be displayed. While information is often temporarily installed on these consoles, this sculpture displays it as slightly weather and permanent through the process of water-jet cutting into the steel. The powder-coated finish also alludes to the element of water as a public work it will slowly age and show signs of weathering, a process made possible by water. The sculpture plays with the idea that water, specifically a river, can be personified by its inherited characteristics and nomenclature. Water takes many forms as a resource, a place of contemplation, a mode of transportation, and a place to commune. We are made of water and our bodies continually crave more, in this way, water defines the land and us.
Details & Dimensions
Sculpture:Steel on Steel
Original:One-of-a-kind Artwork
Size:16 W x 45 H x 11.5 D in
Frame:Not applicable
Ready to Hang:No
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Canada.
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Canada
Michael Drolet was born in Montreal and currently lives and works out of Whitby, Ontario. Michael is an emerging artist who completed a Bachelor of Fine Arts degree from the University of Ottawa in 2014, where he specialized in sculpture. Upon graduation Michael received the Suzanne Rivard-Le Moyne Award, Second Prize, which is awarded to a graduating student who has exhibited quality work at the year-end exhibit. Michael has most recently shown at Quest Art School and Gallery in the TD National Art Prize and has shown work at The Living Arts Centre, The Robert McLaughlin Gallery, and the Glenhyrst Art Gallery of Brantford. Michael's current work maintains influences of geometrical shapes, methods of construction and spatial relationships that all cohesively work to produce comments on abstraction. To explore new avenues of expression as well as techniques, ideas are conceptually sourced from architecture, philosophy, and science. Michael's artworks regularly synthesize through a process of conceptual research and thematic ideas being pursued in the experimentation of popular mediums.
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