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FRANCE 1914 Sculpture
United Kingdom
Sculpture, Marble on Other
Size: 25.2 W x 72.4 H x 6.7 D in
Ships in a Crate
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About The Artwork
FRANCE 1914 BY SIMON BURNS-COX Medium: Black and Gold Portoro Marble Dimensions: 184 x 64 x 17 cm with a base of one metre square and weighing 300 kg Date Created: 2014 Description: The marble sculpture ‘FRANCE 1914′ by Simon Burns-Cox was made to commemorate the ending of The First World War in aid of PoppyScotland. It was designed to depict the last remaining tree on the battlefront but a symbol of hope. The sculpture was exhibited at The Scottish Parliament in Edinburgh in 2015 and then for a three year exhibition at the following venues: The Peoples’ Palace Museum Glasgow 2016-17 The Kelvingrove Art Gallery and Museum Glasgow 2017-18 The Riverside Museum Glasgow 2018-19
Details & Dimensions
Sculpture:Marble on Other
Original:One-of-a-kind Artwork
Size:25.2 W x 72.4 H x 6.7 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Simon Burns-Cox is a professional Sculptor and Letter Carver working in Stone and Marble and is based at The Edinburgh Sculpture Workshop in Edinburgh Scotland which is an International Centre for Sculptors. Simon Burns-Cox has been working in stone and marble for a long time. He particularly enjoys the discipline of lettering and has an admiration for Eric Gill's work, the acknowledged master of that craft. Simon loves working with marble because of its texture and the potential of its many veins and colours. Although many of his pieces are abstractions, they have their origins in natural forms. Simon wants people to handle them, to look closely, and to be reminded of hidden things in the world around them. Simon also teaches sculpture, stone, letter and relief carvving courses to groups and individuals at The Edinburgh Sculpture Workshop.
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