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Sculpture, Relief on Plastic
Size: 11.8 W x 31.5 H x 11.8 D in
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The "Rebirth" sculpture series emerged as a natural extension of Haga's exploration into three-dimensional paintings. The journey commenced as a treasure hunt, with the artist's quest for novel materials and textures eventually leading her to an industrial skip. Within its depths, she unearthed a wealth of industrial plastic extrusion waste amid the assorted debris. From this serendipitous encounter, Haga embarked on a meticulous study of material properties and their historical trajectory. This inquiry, which commenced in 2019, traced the metamorphosis of these materials spanning a staggering 300 million years – from their origins in ancient animal and plant matter to the contemporary repercussions of human industrialisation and the subsequent pollution of our planet. A captivating paradox underpins these works, where the intertwining of organic and manmade elements creates a visual tapestry that simultaneously harks back to prehistoric eras and hints at otherworldly dimensions. Haga's artistry brilliantly captures this intersection, offering viewers a glimpse into a realm that bridges past, present, and even the speculative future.
Relief on Plastic
One-of-a-kind Artwork
11.8 W x 31.5 H x 11.8 D in
Not Framed
No
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Finland
Born in 1986, residing and working in Vaasa, Finland, Lana Haga is a multidisciplinary artist—working in sculpture, painting, and installation—best known for transforming post-industrial matter into new objects, marked by vivid colour and reflective surfaces. Three-dimensional paintings, text-paintings supported by unconventional surfaces, sculptures, and in-situ installations evoke analogies referring to existential struggles of the human condition but also the lingering effects of industrialisation and pollution, material displacement, climate change, and the luring existence of a world beyond our nature. From a visual perspective, Lana Haga’s works are marked by both versatility and continuity as she continues reinventing her artistic practice, visualising and revisiting her message in new forms, processes, and disciplines. Materials like leather, steel, rubber, plastic, bitumen, paint, glass and textiles are combined and juxtaposed to create a constant interaction of opposites in terms of soft versus hard, matte versus reflective, organic versus artificial.
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