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Icarus is a very exclusive creation, strictly limited to 6 Editions. 'Readiness is all' (Shakespeare Hamlet, Act 5, sc 2), is a perfect subtitle for this piece. 
My intention is to look at the myth with new eyes. Rather than focusing on the fall of a young man, punished by the Gods for excessive pride, I aimed at sculpting a 'decision moment'. My Icarus is pure readiness! Rooted in a well built and firmly standing body, his eyes contain the large horizon he knows exist and he belongs to. His arms unite to carry his free wings. Everything in this creation radiates clarity of purpose, certainty, precision, determination, vitality and courage.
My Icarus is the embodiment of man's ineluctable move towards expansion.
I wanted to sculpt a moment of invincibility!

This sculpture, of exquisite execution, required hundreds of hours of skilled hand work, which, at its finest stages, made use of jeweler tools such as fine diamond rasps.
The patina, classical Florentine brown with outstanding level of transparency, was slowly applied cold, 'au chiffon', over a period of 3 weeks.
The cast itself was performed 'Cire Perdue' in plaster mould, in the Netherlands.
Remark: the wings are free which means the customer is able to arrange and orientate them as he pleases, becoming full part creator of the final composition.

This sculpture is signed and numbered by hand engraving in the bronze and accompanied by a hand written Authenticity Certificate.
Icarus is a very exclusive creation, strictly limited to 6 Editions. 'Readiness is all' (Shakespeare Hamlet, Act 5, sc 2), is a perfect subtitle for this piece. 
My intention is to look at the myth with new eyes. Rather than focusing on the fall of a young man, punished by the Gods for excessive pride, I aimed at sculpting a 'decision moment'. My Icarus is pure readiness! Rooted in a well built and firmly standing body, his eyes contain the large horizon he knows exist and he belongs to. His arms unite to carry his free wings. Everything in this creation radiates clarity of purpose, certainty, precision, determination, vitality and courage.
My Icarus is the embodiment of man's ineluctable move towards expansion.
I wanted to sculpt a moment of invincibility!

This sculpture, of exquisite execution, required hundreds of hours of skilled hand work, which, at its finest stages, made use of jeweler tools such as fine diamond rasps.
The patina, classical Florentine brown with outstanding level of transparency, was slowly applied cold, 'au chiffon', over a period of 3 weeks.
The cast itself was performed 'Cire Perdue' in plaster mould, in the Netherlands.
Remark: the wings are free which means the customer is able to arrange and orientate them as he pleases, becoming full part creator of the final composition.

This sculpture is signed and numbered by hand engraving in the bronze and accompanied by a hand written Authenticity Certificate.
Icarus is a very exclusive creation, strictly limited to 6 Editions. 'Readiness is all' (Shakespeare Hamlet, Act 5, sc 2), is a perfect subtitle for this piece. 
My intention is to look at the myth with new eyes. Rather than focusing on the fall of a young man, punished by the Gods for excessive pride, I aimed at sculpting a 'decision moment'. My Icarus is pure readiness! Rooted in a well built and firmly standing body, his eyes contain the large horizon he knows exist and he belongs to. His arms unite to carry his free wings. Everything in this creation radiates clarity of purpose, certainty, precision, determination, vitality and courage.
My Icarus is the embodiment of man's ineluctable move towards expansion.
I wanted to sculpt a moment of invincibility!

This sculpture, of exquisite execution, required hundreds of hours of skilled hand work, which, at its finest stages, made use of jeweler tools such as fine diamond rasps.
The patina, classical Florentine brown with outstanding level of transparency, was slowly applied cold, 'au chiffon', over a period of 3 weeks.
The cast itself was performed 'Cire Perdue' in plaster mould, in the Netherlands.
Remark: the wings are free which means the customer is able to arrange and orientate them as he pleases, becoming full part creator of the final composition.

This sculpture is signed and numbered by hand engraving in the bronze and accompanied by a hand written Authenticity Certificate.
Icarus, Exclusive Limited Edition 1/6, Florentine brown patina
Icarus, Exclusive Edition Strictly Limited to 6
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6

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ICARUS, 'Readiness Is All' (Shakespeare) Sculpture

Graziella Curreli

Netherlands

Sculpture, Bronze on Bronze

Size: 8 W x 20 H x 8 D in

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$24,000USD

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443 Views
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About The Artwork

Icarus is a very exclusive creation, strictly limited to 6 Editions. 'Readiness is all' (Shakespeare Hamlet, Act 5, sc 2), is a perfect subtitle for this piece. My intention is to look at the myth with new eyes. Rather than focusing on the fall of a young man, punished by the Gods for excessive pride, I aimed at sculpting a 'decision moment'. My Icarus is pure readiness! Rooted in a well built and firmly standing body, his eyes contain the large horizon he knows exist and he belongs to. His arms unite to carry his free wings. Everything in this creation radiates clarity of purpose, certainty, precision, determination, vitality and courage. My Icarus is the embodiment of man's ineluctable move towards expansion. I wanted to sculpt a moment of invincibility! This sculpture, of exquisite execution, required hundreds of hours of skilled hand work, which, at its finest stages, made use of jeweler tools such as fine diamond rasps. The patina, classical Florentine brown with outstanding level of transparency, was slowly applied cold, 'au chiffon', over a period of 3 weeks. The cast itself was performed 'Cire Perdue' in plaster mould, in the Netherlands. Remark: the wings are free which means the customer is able to arrange and orientate them as he pleases, becoming full part creator of the final composition. This sculpture is signed and numbered by hand engraving in the bronze and accompanied by a hand written Authenticity Certificate.

Details & Dimensions

Sculpture:Bronze on Bronze

Original:One-of-a-kind Artwork

Size:8 W x 20 H x 8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Île de France in Dec 1960. In 1994, after graduating in literature (Sorbonne) and 15 years of teaching, she moves to the Netherlands, studies sculpture with Karel Gomes, the craft of mould making and bronze casting with Fred Steffens and, in 1999, upon her return from one year trip in the US, she becomes a full time sculptor!Year 2000… First exhibition. Since then, her statues never stop circulating, in The NL and internationally, in Europe and in the US. On a regular basis, numerous Art Merchants and Galleries contribute to the promotion of her Art: Peter Pappot (Amsterdam), E.J. van Wisselingh & Co (Haarlem), J. C Dumas (Paris), Smelik & Stokking (Amsterdam, Den Haag), Ton Schulten (Ootmarsum), and E. King (Napa Valley, California) and more… Her bronzes enter Auction Houses and appear in prestigious Art Fairs such as Pan Amsterdam, Kunst Rai and Den Bosch Art Fair. With encouraging regularity she serves private customers creating garden statues, grave monuments, trophies, awards and commemorative statues.In 2006 for the first time, her art attracts the interest of the Municipality of Haarlem, the City where she lives and works in her Atelier Gallery of the Kleine Houtstraat. For her City she designs and realizes a Kenau for the Emancipatieprijs Award and a Lieven de Key for an Architecture Award, a medal now permanently displayed in the Teylers Museum, as part of their coins and medals collection. In 2010, Haarlem commissions her a monumental bronze representing two heroes of the “80 Years War”, Kenau Hasselaer and Governor Wigbolt. Ripperda. Since April 2013, it majestically stands, 4 meter tall, on the newly renovated railway Station Square, while the 30 cm original design is exhibited in the Historisch Museum Haarlem, with the following title: Kenau & Ripperda, from Motivation to Inspiration, a pro-peace monument. Her inspiration comes from the people and returns to them. She is a Humanist sculptor. "I use the incarnated body to sculpt experiences. Love, desire, self-esteem, courage, audacity, generosity, surprise, affection, inspiration, clarity, interest and the unlimited range of experiences a human being can have. It is as if experiences have to run through the body in order to reach the soul. I observe and sculpt the visible to access the invisible! When I was commissioned The Kenau & Ripperda monumental bronze, I intended to create a pro-peace monument for my City.

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