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Leonardo da Vinci - Replica of Anatomical drawings, series II Sculpture - Limited Edition of 250
Italy
Sculpture, Paper on Paper
Size: 11.4 W x 16.5 H x 1.6 D in
Ships in a Box
Shipping included
About The Artwork
Leonardo da Vinci in his boundless interest in nature, did not hesitate to dissect cadavers and devise appropriate analysis techniques such as, for example, anatomical preparation. His research in this field was vast, but he never managed, precisely because of the boundless nature of his interests, to complete the drafting of a real "treatise on anatomy", just as he never created a "treatise on painting " ". The anatomical drawings are part of the royal collection and are kept at Windsor Castle in England. Title: Twenty Selected Anatomical Drawings I Series Technique: Sculpture on paper Number of designs: 20 single sheets Dimensions: various Paper: 85gr. Transcription: duplicate of the drawings with transcription of the manuscript in Italian on the back Packaging: First choice Italian leather case Place of production: Italy Edition: 499 copies Year of construction: 2015 Guarantee: signed certificate of authenticity and numbering Production time: 21 working days
Details & Dimensions
Sculpture:Paper on Paper
Artist Produced Limited Edition of:250
Size:11.4 W x 16.5 H x 1.6 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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After long experimentations, the Laboratory "Collezione Apocrifa da Vinci", directed by Alessandro Tartaglione, developed a methodology of paper sculpting applied to printed reproductions of ancient manuscripts and drawings by the most important Italian artists. This is an exclusive process that has no comparison because provides the handwork of every single manuscript page or drawing. The motivations that led us to the realization of these works go far beyond the impersonal replica. In the conception and realization we tried to enrich our works with a personal contribution to arouse a plurality of emotions in the viewer; to communicate through ancestral signs which could stress the collective imagination, giving to the viewers the dream to browse an original, as well as the wear and tear of time has left.
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