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Leonardo da Vinci, Replica of Leicester Codex Sculpture - Limited Edition of 250
Italy
Sculpture, Paper on Paper
Size: 8.7 W x 11.4 H x 0.4 D in
Ships in a Box
Shipping included
About The Artwork
The Codice Leicester is one of the most famous notebooks of Leonardo (1504-1506). Purchased in 1994 by Bill Gates, it is devoted mainly to studies of hydraulic and water movements. There are also studies of astronomy.
Through a new technique of paper sculpture, each page of this work is hand-finished in tears and shades and is treated with aging process. Each replica is unique for the artistic contribution in reproduction. Handmade reproduction of lacerations, nuances, dyeing and antiquing. As well as the original notebook of Leonardo da Vinci, the Replica has not binding but is composed of nineteen quartini, more the cover, folded and inserted into one another Handmade reproduction of lacerations, nuances, dyeing and antiquing.
The specimen is contained in a handcrafted 100% Italian leather case, accompanied by the commentary in Italian and the certificate of authenticity and numbering.
Technique: sculpture on printed paper. Size: cm. 29x22 (facsimile). Number of pages: 72 more the cover Limited Edition: 499 copies Place of manufacture: Italy Year of manufacture: 2013 Shipping time: 21 working days
Details & Dimensions
Sculpture:Paper on Paper
Artist Produced Limited Edition of:250
Size:8.7 W x 11.4 H x 0.4 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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After long experimentations, the Laboratory "Collezione Apocrifa da Vinci", directed by Alessandro Tartaglione, developed a methodology of paper sculpting applied to printed reproductions of ancient manuscripts and drawings by the most important Italian artists. This is an exclusive process that has no comparison because provides the handwork of every single manuscript page or drawing. The motivations that led us to the realization of these works go far beyond the impersonal replica. In the conception and realization we tried to enrich our works with a personal contribution to arouse a plurality of emotions in the viewer; to communicate through ancestral signs which could stress the collective imagination, giving to the viewers the dream to browse an original, as well as the wear and tear of time has left.
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