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New Landscape Sculpture

Andie Grande

France

Sculpture, Acrylic on Canvas

Size: 35.4 W x 35.4 H x 1.2 D in

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$2,910

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About The Artwork

Working with humble materials such as the sisal fibre and refuse synthetic fibre orients my attention to the way we relate to matter. I’m interested in considering how useful these everyday materials are and yet how easily we overlook them. In doing so, something is broken in the way we connect to them. Something precious is lost. To me the artist’s role is to create and maintain an ever changing relation to the material world by exploring all the facets and allow it to yield its full potential. My approach is primarily an act of redeeming forsaken matter. Stripping these fibres and plastics of their useful connotations provides a new setting for the fresh to unfold. In this creative space a renewed image of the material comes to the foreground. Showcasing the work is an endeavour to appraise the new and, in so doing, an unexpected bond between the art and the viewer.

Details & Dimensions

Sculpture:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:35.4 W x 35.4 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m a visual artist and lecturer on Environmental Art. In my work I’m currently exploring the aesthetics of organic fibre and refuse synthetic fibre. Conducting workshops and lectures on Art and Environment to environmental science students I was naturally led to consider 'junk' materials as something to celebrate and to showcase these for their inherent virtues beyond mere usefulness. I hope to share with the viewer the beauty of bonding with materials we tend to disregard and foster an organic aesthetic. I’m fascinated by the juxtaposition of junk synthetic produce bags with sisal wrapping string. By this I’m marvelled at how a parallel ecology comes to the foreground. Recycling junk for the mere sake of recycling is not enough. I strongly feel that praising matter for its own sake is more fulfilling, and art is the best way of looking at discarded materials as a resource for creation. In considering environmental issues it's important to me to reconnect to our surroundings: the material world is the springboard of evolution, where I can enact the attempt to “love matter as myself”. As I shape matter, I myself am being shaped. The style is abstract and yet tactile. I like the materiality of humble materials.

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