VIEW IN MY ROOM
Spain
Sculpture, Assembling on Ceramic
Size: 11.8 W x 49.6 H x 11.8 D in
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This sculpture belongs to the family of organic totems. It is made of red clay. Like all my work, the ceramic pieces are made on the potter's wheel. These totems are composed of superimposed ceramic pieces, which come from the field of utilitarian ceramics, which taken out of context become abstract figures. The pieces that make up the sculpture are bowls that I deform once they are made. Bowls that once made on the potter's wheel are deformed and perforated and then pierced by an iron rod, creating vertical forms. In the center there is a ball or a vase of flowers placed vertically. They are utilitarian pieces to which I give a second function. They are not "useful" in the strict sense of the word.
Sculpture:Assembling on Ceramic
Original:One-of-a-kind Artwork
Size:11.8 W x 49.6 H x 11.8 D in
Frame:Not applicable
Ready to Hang:No
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Spain.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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I was born in Barcelona in 1962 and I graduated in Fine Arts in Cuenca's University. I am currently working on the creation of Totems, made up of stacked pieces of stoneware, which come from the field of utilitarian ceramics. I use shapes with expressive deformations, fitting them into columns of variable composition. When I started working in this craft, I realised that everything revolved around the feminine. The earth, the circle and the shapes that emerge from this millenary technique produce utilitarian pieces that are the mark of ancient civilisations, apparently fragile, but which have survived thousands of years underground. The superimposition of ceramic pieces crossed by an iron rod was born as a symbol of women's work, care and generosity towards their loved ones, and at the same time alludes to the feminine role and its historical link with the domestic sphere. Now the work of the Totems has become a game for me, where I thread necklaces on a human scale.
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