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Subtopia(white12) Sculpture
South Korea
Sculpture, Paper on Wood
Size: 32.4 W x 40.4 H x 9.8 D in
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About The Artwork
“The meaning of building ruins.” The fact that ruins exist, or the prospect that everything will return to ruins, once again cracks the belief that the current world will be eternal. This means that the current world will also be lost someday. This closed city, which combined without any gaps and extremely blocked the possibility of relationships, eventually went through the process of its once impregnable surface gradually cracking, fading, collapsing, and eroding due to the individuality and desire for freedom of countless individuals. will be lost And you will find a way out to the next world. I think of this process as drifting in search of an exit in a world that is neither utopia nor dystopia, but something in between: subtopia.
Details & Dimensions
Sculpture:Paper on Wood
Original:One-of-a-kind Artwork
Size:32.4 W x 40.4 H x 9.8 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:South Korea.
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South Korea
@joyunguk_official Jo Yun Guk (Korean, b.1985) has been facing up to the universal problems of modern society under the central theme of Space, Memory, and Loss, and he has been continuously presented the series of 'Room for Artist', 'Modern Monument', and 'Lost Island' based on the artist's own style of sculpture that across figurativeness and abstractiveness. Starting with the first solo exhibition in 2011, he has participated in numerous solo, group exhibitions and the Biennale at major art institutes. Along with lively global activities like New York, London, Paris, and Shanghai, he have been introduced to the world as a notable contemporary korean artist by global art publisher SKIRA. Jo makes us contemplate the fundamentals of Fine Art through his distinctive labour-intensive and delicate work, and look forward to the next from the developmental aspect of constant concerns and experimentations on materials and forms.
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