182 Views
5
View In My Room
Sculpture, Mosaic on Ceramic
Size: 118.1 W x 708.7 H x 19.7 D in
Ships in a Crate
182 Views
5
A tree of spirit, a tree of life, a tree of colour, texture and contemplation. Inspired by buddhist temples and plants about to open their buds. This sculpture is made up of two sections. Each section is made from sculpted polystyrene with a fibreglass render. They are threaded together on a central stand. The glass and ceramic mosaic designs are then applied to the surface. This technique makes the work a manageable weight and robust for indoor or outdoor spaces. It is grouted with a high quality epoxy product for added durability.
Mosaic on Ceramic
One-of-a-kind Artwork
118.1 W x 708.7 H x 19.7 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United Kingdom.
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I am a contemporary fine artist. My goal? To celebrate and challenge the art of mosaic. Colour underpins everything I create. The approach: intuitive. In my work over twenty five years I have developed a striking and vibrant style. The work has included architectural wall and floor features, decorative pieces and sculptures. Whilst developing my sculptural practice I was one of the first in Britain to import concrete construction techniques specifically for mosaic making from North America. This led to my recent postgraduate enquiry into how to translate fragment to form. To take the tile (tesserae) from the surface and make it the object in itself. After all, mosaic originated in Roman construction techniques, it did not begin as decoration. Experience in working to commission for private, corporate and public clients has equipped me with a broad spectrum of skills. They range from design and making to fine judgement about enhancing a space. It is underpinned by a careful interpretation of the clients’ requirements. The art of mosaic, often overlooked and undervalued, is rich in culture, materials and skill. It’s traditions and versatility I continue enthusiastically to embrace. My purpose? To stimulate discussion about the mosaic-making process and to contribute to its' position as both a craft and a fine art form. Currently I focus on producing new sculptural artwork for exhibition and sale.
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