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The Italian Dream Sculpture

Garullo and Ottocento

Italy

Sculpture, Wax on Other

Size: 0.4 W x 0.4 H x 1 D in

This artwork is not for sale.
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About The Artwork

THE SMILE – the element that encapsulates and encompasses the deepest meaning of the figure of Berlusconi is without a doubt the smile, the ever-present smile, the smile as a message that “pierces” through the screen straight to the heart of the public, instilling them with the warmth of optimism and faith. The smile sits on Berlusconi’s face like the enigma on the masks of the pharaohs. His head is tilted to the left and alludes to the figure’s obsessive aversion to the progressive political culture that Berlusconi always referred to as communism tout court. However, the function that it fulfils is to conceal, at first glance, the blissful serenity of the face, so as to provoke a feeling of confusion in the spectator between the sanctity of the vessel (the shrine) and the somewhat prosaic behaviour of the content (the body). In reality, the most attentive observer will be able to make out the expression of the face in the reflection on the glass on the shrine, but will, however, find their own “portrait” superimposed on it in a short-circuit of involuntary identification. The smile, therefore, will unequivocally ward off the idea of death, suggesting instead the image of someone sleeping, and the observer will almost be moved to wonder if he is breathing.

Details & Dimensions

Sculpture:Wax on Other

Original:One-of-a-kind Artwork

Size:0.4 W x 0.4 H x 1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

We started our artistic activity in 1997 giving life to the pottery art studio "Kerameion" located in Latina, a provincial town just south of Rome. Subsequently, painting becomes the most appropriate means to satisfy our expressive needs and individual sensibilities. (So if Mario develops its own language in the sign of abstractionism and the informal, Antonio uses figurative). In recent years our research object changes radically artistic and expressive language. Absorbed the creative dynamic of Duchamp, the works that were born during this period, drip of news, look at modern man and his concerns, attempting an analysis of contemporary society. With the current work we investigate the "facies" of Power, be it political, religious, cultural and massmediatic, working on the iconic figures of our time.

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