57 Views
3
View In My Room
Sculpture, Clay on Ceramic
Size: 14.6 W x 13 H x 5.5 D in
Ships in a Box
57 Views
3
Artist featured in a collection
I love the idea of UFO watchers searching the skies for evidence of UFOs. They never give up hope despite the lack of good evidence. The term UFO is widely used for claimed observations of extraterrestrial spacecraft. UFOs have been the subject of lots of investigations over the years by many governments. This has led to countless UFO conspiracy theories. Critics argue that all UFO evidence is anecdotal and can be explained as natural phenomena such as cloud formations and misidentified aircraft and balloons etc. This is probably true but I like to look and wonder occasionally. The sculptures are made with a direct honesty to the nature of the material. Clay is a wonderful material that can be pulled, squashed, shaped and squeezed. It takes an impression like no other material and, being a basic "earth" material, it is a joy to work with. Natural and manufactured objects are used to make impressions and produce strong textures. The work shows the way as it progresses into a finished piece. The hand becomes as important as the eye and the mind. The nature of the clay and the design means there are lumps and bumps and various marks. This rugged affect is all part of the charm of the work. I use white stoneware clay and make using slab and coil building techniques. The work is then fired twice in an electric kiln the second firing between 1100 and 1200c. Decorated with oxides, engobes and glazes. 24ct gold-leaf on glasses. Lovely to hold – they have a great “feel” about them. Each piece is hand built and unique. Suitable for interior and exterior locations. Signed underneath with signature stamp. Certificate of Authenticity included. Any questions please do not hesitate to get in touch.
2022
Clay on Ceramic
One-of-a-kind Artwork
14.6 W x 13 H x 5.5 D in
Not Framed
No
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United Kingdom
The sculptures are made with a direct honesty to the nature of the material. Clay is a wonderful material that can be pulled, squashed, shaped and squeezed. It takes an impression like no other material and, being a basic "earth" material, it is a joy to work with. Natural and manufactured objects are used to make impressions and produce strong textures. The work shows the way as it progresses into a finished piece. The hand becomes as important as the eye and the mind. My work is nearly always conceptual. For me it is what the work represents, the creative thinking behind the image, which is of the greatest interest. Inspiration comes from an eclectic range of sources such as old and new philosophical ideas, popular culture, science, dance, poetry, mythology and ancient sources. After studying the Philosophy of Art at university I gradually became a practitioner as well as a passionate follower of Art. I now have work all over the world which is such a wonderful buzz! Painting:- I’m interested in paint, not as a material to create an illusion, but rather as a substance to be experimented with and celebrated. I like to explore the way paint moves and performs on the canvas with various textural elements. This produces a variety of fascinating sculptural and textural qualities. Often I include materials such as sand, gravel, pumice, and pieces of canvas and hessian. This builds up to give a beautiful and fascinating surface that has a sculptural quality and encourages touch and sensation as well as visual awareness. Additions are collected from places I have visited around the world. The physical act of applying paint I see as an exhilarating form of ritual, a dance and a demonstration of a moment of perception in time. I like the work to have a strong visual impact and to be interesting close up as well as from a distance.
Artist featured by Saatchi Art in a collection
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