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Átimo II Sculpture
Brazil
Sculpture, Charcoal on Wood
Size: 35.4 W x 21.6 H x 1.1 D in
Ships in a Box
About The Artwork
ÁTIMO is a series that addresses the relationship between time and fragments, suggesting freezing-suspension as part of an endless flow of movement. The physicality of the accumulated matter and the effects that light creates on the textured surface dialogue with the tension between fraction/individual and the whole/set. Influenced by the Brazilian neo-concrete movement and dialoguing with issues addressed in the work of Sérgio Camargo (1930-1990), the artist proposes a contemporary approach to the use of traditional materials, also investigating the limits of three-dimensionality. ÁTIMO explores the variation of black over black, inviting the viewer to relate to the different hues that can be absorbed depending on the incidence of light and its relationship with space. Organic materials are used in the body of work composition that relates to each other and the surroundings within this encapsulated 'momentum.'
Details & Dimensions
Sculpture:Charcoal on Wood
Original:One-of-a-kind Artwork
Size:35.4 W x 21.6 H x 1.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Brazil.
Customs:Shipments from Brazil may experience delays due to country's regulations for exporting valuable artworks.
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Brazil
Born in 1984 in Rio de Janeiro, Brazil, Diana Lobo explores the authorial literature and the various nuances of the written text, having found in concrete poetry - and later in marginal poetry, a link of interest with the visual arts. Her research focuses on reconciling the written text with the visual language, and her influences range from writers to artists such as Antonin Artaud, Sergio Camargo, Louise Bourgeois, Gunter Uecker, Alicja Kwade, Olafur Eliasson, and Ana Cristina Cesar. Her work feeds on concepts of Brazilian neo-concretism, especially the "Frente" movement that took place in 1959 in Rio de Janeiro. In her first participation in an international exhibition, he presented the installation Fuga at Arte Laguna Prize in Venice. The immersive work addressed issues related to self-expression and femininity. Diana is also publishing her first book of poetry, A Nudez da Palavra, in 2020.
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