Murder 3 Artwork

http://virtualfactoryvictorfoxtrot.blogspot.com/search/label/urban%20decay Exhibitions and installations 2009 Divine Mortality. Arch 103 Tinworth Street London SE11 2008-2011 Installations Missing Works 1,2and 3 Albert Embankment and Millbank 2008-2009-2010 'Anti Commercial Breaks' Glastonbury Left Field ..................................................... . Robert Miles-Kingston doesn't exist. Work. history places 'paintings' Images Materials Sculptures Installations Films Process little or no potential for survival. evidence unsustainable, stolen, missing, or possibly 'never was'. subjects are subjects inversion looking in on itself. Dyslexic evidence of evidence 'Music' non-composer struggling against imposition of structure, order and repetition. If Robert Miles-Kingston exists anywhere at all then it must be in an indeterminate space, digital or cyber, or not at all. His fascination with absence, action without motive, neglect and reclamation of natural forces over contrived creativity and the need to control and manipulate, are especially out of sync with contemporary practices in all areas of life, including Art as well as Industry, where financial motivation, success and market-consumerability is prized highest. This force over desires and fears is so deeply embedded in so many day-to-day influences that it has changed our perceptions of our own identity. Robert Miles-Kingston (enjoys the confusion of identity- he is writing this in the third person ) ) sees these influences as highly visible, but with subtexts that precipitate unconscious changes in our psychology as a perfectly natural part of an evolutionary development for humankind that shapes us and makes us shape our future trajectories in partnership with this unconscious. None of this is true. Robert Miles-Kingston lives and works in London. He has exhibited over a number of years on Streets, Embankments and Bridges, Railway arches and alleys. Many of his 'paintings' and installations no longer exist, covered over, washed away, confiscated, stolen, smashed, deteriorated or rotted away.Some works were never visible and some may never have existed, only he knows and enjoys the ambiguity. Much of his concerns reflect elements or aspects of his confused, conflicted and inverted urban psyche, that wants to destroy as much as create.