VIEW IN MY ROOM
New Zealand
Mixed Media, video on Other
Size: 5 W x 5 H x 1 D in
Ships in a Box
Oil, ghost towns and dust devils are aligned as tropes of climate change. Tornado-like dust devils, as canaries in the coal mine, are increasingly common in hot, barren deserts and in drought stricken areas of the world. I imagined spilling flower petals into the path of dust devil so that it would create a colorful vortex of swirling petals. I recently found a few dust devils during each of my 3 trips to the California desert, but they are fast, dissipate quickly and mostly too far off the road to catch…always just ahead of my car. When I was ready to give up looking after my third desert trip and was focusing my camera on abandoned school, a well-formed small dust devil appeared about 10 meters to my right. I turned my camera on a tripod towards it, snatched a bag of flower petals that I had bought at LA's flower district and ran into the small vortex dumping the contents. It grabbed the petals and dumped them over the road. It may not have been the large column of flower petals that I had imagined. Realistically such would take a small Hollywood budget to procure. But with minor alterations, this one was a wrap. I created this video at the 18th ST. Art Center, Santa Monica, California. Please contact me for the link and password. It is in an edition of 3 plus AP as a signed and editioned Blu-Ray DVD and media file that can be played through any media player (such as Apple TV)
Mixed Media:video on Other
Original:One-of-a-kind Artwork
Size:5 W x 5 H x 1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:New Zealand.
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New Zealand
Brit Bunkley is a New Zealand artist whose current art practice includes public art, sculpture, installation, and the creation of “impossible” moving and still images and architecture designed using computer 3D modelling, video and image editing programs, with content emphasising majestic landscapes, human revelry and an oblique sense of apocalyptic anxiety tempered with whimsy and irony. Brit is represented in numerous international collections and has completed a dozen permanent and temporary public art projects. In addition, he has received several grants and fellowships including a Wallace Trust grant in NZ; a New York State Fellowship (CAPS) grant, a New York State Council on the Arts project grant, a USA National Endowment for the Arts Fellowship and the American Academy Rome Prize Fellowship. International screenings include the White Box gallery in NYC and Rencontres Internationales Paris/Berlin/Madrid, in Paris at the Centre Pompidou in 2012, the Reina Sofia National Museum, Madrid, Spain in 2013, at the Gaîté Lyrique and The Haus der Kulturen der Welt, Berlin (2016), and at the Cité Internationale des Arts in 2018. He took part in the Athens Digital Arts Festival and File Sao Paolo 2017 and 2018. Bunkley screened his video, Ghost Shelter/6 at The Federation Square Big Screen, Channels Festival 2017, Melbourne and at the Oberhausen Short Film Festival, Oberhausen, Germany in 2018. In 2012 Bunkley was an award winner at the Moscow Museum of Modern Art for the «Now&After» Festival, and he was again included in «Now&After» at Moscow’s Artplay Design Center February 2018. Recent exhibitions include Ghost Shelter 17 at Te Uru, Titirangi, Auckland and The Happy Place- Sanderson Contemporary Art, Auckland, New Zealand. Bunkley is currently exhibiting video and sculpture at the Sarjeant Gallery, Whanganui, New Zealand June- August 2018.
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