VIEW IN MY ROOM
United Kingdom
Collage, Paint on Wood
Size: 24 W x 19.4 H x 2 D in
My latest series of work involves issues arising from exploration and colonisation and intends to raise questions about the justification of the exertion of power and possession of land through the imposition of religious and social hierarchical structures. With the current political landscape of America dominating the news, and echoing a wider ideological shift to protectionism that is being used to give racism some kind of 'acceptable' platform, there is surely a case for simply asking who was where first, and more importantly, has the struggle to establish domination ever been of benefit to humanity as a whole? Keywords: America, butterfly, anenome, colonial, tudor, creatures, fantasy, heart, historical, landscape
Collage:Paint on Wood
Original:One-of-a-kind Artwork
Size:24 W x 19.4 H x 2 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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United Kingdom
I began producing elaborate mixed media pieces while on my long stay in Venice, making use of the city-floor ephemera of discarded museum leaflets and postcards. Incorporating ‘scraps’ of the past, sourced from secondhand books and magazines, and the maps I grew up with as the child of an intrepid Geophysicist, I produced a diary of sorts, the alternative reality of a history I invented for myself. I have since developed this way of working, often inspired by current events, creating ‘intricate scenes of social malfunction’, my investigations into ‘the human condition’ through a series of imagined portraits. I studied Fine Art at Oxford Brookes University, spending my final year at The School of the Art Institute of Chicago on an extended travel award. Graduating in 1992 I moved back to London, where for a time I slipped into the world of graphic design and illustration, working for Raymond Loewy International, and subsequently becoming Course Tutor at Lambeth College, and later a lecturer at Worcester University. By the late 1990s, emboldened to pursue my painting career by formidable gallery owner and art advocate the late Elizabeth Organ, a series of events shaped my subsequent work, beginning with the move from London to unfeasibly feudal Herefordshire, a turbulent marriage in a ‘Gormenghast’ of a castle, and a subsequent period of exile in Venice. My work has most recently been shown at the Royal West of England Academy, Bristol and the Mernier Gallery, London, with an increasing following of private European collectors from Southern France to Croatia. Represented by: The Martin Tinney Gallery Cardiff http://www.artwales.com/ Gala Fine Art, Bristol http://galafineart.uk
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