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Fine Art Paper
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10 x 10 in ($88)
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White ($80)
But hate would be too easy. You know what I am afraid of? Sometimes I look at my children and I am scared. I hate them. I hate them because I already see how they are so well adjusted to global capitalism. They are aware of this. And I think that sooner or later we will have to write some Lacanian love novels. Of course, it is stupid to say, ‘‘let's stop genetic engineering and then there will be more room for love’’. It won't work like that. But I think that if we don’t succeed in making the step towards friendship which would involve sharing the fate of some other suffering people, then I am afraid that even if biogenetic engineering progresses we will end up with a society divided into two classes: the masters who are no longer able to suffer and all the rest of us who will be excluded.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United States
While Mark M. Whelan's art is primarily portraits and figurative pictures. However, his aim is not to represent a beautiful image of a person or an individual in a futuristic context; rather, it’s an ongoing exploration of the process of how art is created concerning its structure, composition, colour, and technique. Like many figurative painters of his generation, it’s impossible for Whelan to avoid the looming shadows of Francisco Goya, Francis Bacon, Hieronymus Bosch and Lucian Freud, all of which have dominated the figurative world, their paintings both evocative, emotional and full of existential angst and anticipation of an uncertain future. However, Whelan is finding his futuristic path into the light, away from these titans of the art world, his work constantly seeking to go beyond the discipline of representational art and the more gestural expressionism that we are familiar with in the figurative paintings of Bacon.
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