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Furturist Freud in the Metaverse Print

Mark M Whelan

United States

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About The Artwork

Flexible and durable identities, A concept that is both intriguing and complex, Where our identities are not fixed, But constantly changing, to adapt to new contexts. In a world where technology is advancing, At an exponential rate, Our identities must also be evolving, To keep up with the pace. Gone are the days of a single, static identity, That stays the same, throughout our lives, Now, our identities must be flexible, To adapt to the changing world, without any strife. But at the same time, they must be durable, Able to withstand the challenges of the digital age, To protect our privacy and security, In a world where these things are at stake, without any rage. So let us embrace flexible and durable identities, And see what wonders they can bring, For they have the power to change our lives, And improve the world, with their capabilities, and flings.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

While Mark M. Whelan's art is primarily portraits and figurative pictures. However, his aim is not to represent a beautiful image of a person or an individual in a futuristic context; rather, it’s an ongoing exploration of the process of how art is created concerning its structure, composition, colour, and technique. Like many figurative painters of his generation, it’s impossible for Whelan to avoid the looming shadows of Francisco Goya, Francis Bacon, Hieronymus Bosch and Lucian Freud, all of which have dominated the figurative world, their paintings both evocative, emotional and full of existential angst and anticipation of an uncertain future. However, Whelan is finding his futuristic path into the light, away from these titans of the art world, his work constantly seeking to go beyond the discipline of representational art and the more gestural expressionism that we are familiar with in the figurative paintings of Bacon.

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