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Fine Art Paper
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10 x 10 in ($40)
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White ($80)
The future of crime, a dark abyss, A world where technology reigns, Where hackers prowl, and cyber-criminals hiss, And every move is tracked and pains. The streets are empty, but the virtual world, Is teeming with deceit and greed, Where identity theft and fraud unfurled, And viruses spread like a weed. The lines between right and wrong, Are blurred, in this digital age, As crime evolves, and becomes more strong, And puts us in a virtual cage. But as the future unfolds, And technology advances, We'll find new ways to combat the mold, And put a stop to these dances. With AI and biometrics in play, We'll catch the crooks, and bring them to bay, And make the virtual world safe again, For the future of mankind to sway.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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While Mark M. Whelan's art is primarily portraits and figurative pictures. However, his aim is not to represent a beautiful image of a person or an individual in a futuristic context; rather, it’s an ongoing exploration of the process of how art is created concerning its structure, composition, colour, and technique. Like many figurative painters of his generation, it’s impossible for Whelan to avoid the looming shadows of Francisco Goya, Francis Bacon, Hieronymus Bosch and Lucian Freud, all of which have dominated the figurative world, their paintings both evocative, emotional and full of existential angst and anticipation of an uncertain future. However, Whelan is finding his futuristic path into the light, away from these titans of the art world, his work constantly seeking to go beyond the discipline of representational art and the more gestural expressionism that we are familiar with in the figurative paintings of Bacon.
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