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Futurist #1 Print

Mark M Whelan

United States

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8 x 12 in ($40)

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About The Artwork

he problem was not only what you mention, but also that he didn’t know how to end this story. I think that in every well-structured film or book, you have a kind of philosophical horizon implicit in it. Like, for Hitchcock, the tension is between nature and culture. You have some kind of big vision or perspective; otherwise you don’t have a good movie. And this is the main problem with Larsson now. But his books are so popular because he knew the contemporary passion of people for conspiracy theories. That’s why the hero of his trilogy, Lisbeth Salander, is someone who is without compromise. She immerses herself into a male world—she's almost like a man—but at the same time she has a whole series of moral and physical problems as if she were a new Saint Joan, ready to die. So this general rage against patriarchal order, combined with this notion that there are secret networks that really manipulate things and so on gives the impression of a near truth.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

While Mark M. Whelan's art is primarily portraits and figurative pictures. However, his aim is not to represent a beautiful image of a person or an individual in a futuristic context; rather, it’s an ongoing exploration of the process of how art is created concerning its structure, composition, colour, and technique. Like many figurative painters of his generation, it’s impossible for Whelan to avoid the looming shadows of Francisco Goya, Francis Bacon, Hieronymus Bosch and Lucian Freud, all of which have dominated the figurative world, their paintings both evocative, emotional and full of existential angst and anticipation of an uncertain future. However, Whelan is finding his futuristic path into the light, away from these titans of the art world, his work constantly seeking to go beyond the discipline of representational art and the more gestural expressionism that we are familiar with in the figurative paintings of Bacon.

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