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Minimalist Style Poster No. 4 Print

kamran SOKHANPARDAZ

Turkey

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About The Artwork

Minimalism, an artistic movement that emerged during the late 1950s and early 1960s, is defined by its emphasis on simplicity, austerity, and the reduction of design elements to their fundamental forms. Within this context, Kamran Sokhanpardaz's posters serve as exemplary embodiments of minimalist design principles, capturing attention through their refined composition and intentional visual restraint. These compositions exhibit clean lines, flat colours, and a limited colour palette, thereby directing focus towards the core aspects of the subject matter. The deliberate utilization of negative space further accentuates the central elements, engendering a sense of equilibrium and harmony that enhances the overall visual impact of the posters. Adhering to the minimalist philosophy, Sokhanpardaz's posters employ a restricted colour scheme characterized by subtle, muted tones, occasionally punctuated by vibrant accents. This restrained approach to colour usage effectively reduces distractions and channels the viewer's attention towards the central message or subject matter. Despite the minimalist inclination to discard extraneous details, Sokhanpardaz's posters maintain a discernible connection to their subject matter. The central concept is skillfully communicated through thoughtfully selected visual elements, which may encompass simplified representations or abstract forms. This ability to distil complex ideas into essential elements demonstrates the designer's mastery of minimalist design principles. Consequently, Sokhanpardaz achieves a visually arresting composition that captivates the viewer's attention while effectively conveying the intended message.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:9 W x 12 H x 0.1 D in

Size with Frame:14.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Iranian Poet, Potter, Photographer, Author, Art Historian, Environmental Artist, and Archaeologist. Ph.D. in History of Islamic Turkish Arts (Area Of Study: Great Seljuk Architecture and Ornaments), Turkey M.A. in Art Research, Iran B.A. in Archeology, Iran A.A. in Archeology, Iran Environmental artist, potter, photographer, poet; Kamran SOKHANPARDAZ was born in 1982, in Iran (Darab). In 2001 he entered the Faculty of Art and Architecture in Bu-Ali Sina University, studying for a Bachelor Degree in the field of Archaeology. He completed his studies in 2006. In 2007 he began studies at the M.A. level at the Shahed University, Faculty of Art in the field of Research of Arts. In 2016 he began studies at the doctoral level at the Samsun Ondokuz University, in the field of Turkish-Islamic Arts History. He completed his studies in 2020 and was awarded a doctorate degree. He has done extensive research in the field of architectural bed decorations of the Great Seljuk period, decorations related to İslamic architecture, and traditional arts. He focused on environmental art and Pottery from 2010 to now. He continued to work in nature and conceptual themes from 2010 to now. As an environmental artist, his art projects (warning Project, trees at work Project, stitching of soil Project, Memories of stone Project and etc.) attempts to link the ideas, concepts, and Purity underlying the interconnected nature of life. Throughout his work can be found a deep fascination with the relationships between self and the natural world.

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