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Chile
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10 x 10 in ($80)
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White ($80)
ContourFollower is an interactive visual work that is made up of an interactive program designed by the artist who has several simultaneous processes of color changes, using computer vision technology (computer vision), captures movement and gesture creating images of processes in real time. This works are the product of the artists interacting with the system. This work is part of the development of autopoieticSystems more information: http://wwwlazo.cl/autopoietic.html http://www.lazo.cl/10sistemasautopoieticos/ http://www.neuronal-sistemautopoietico.cl/ Limited Edition of 5 + 3 A/P this is number 2 Epson High Quality inkjet print Paper: Hahnemühle William Turner 310 gms
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Chile
The foundations Lazo’s upbringing, were in mainly two fields, science and music. Yet, he turned to visual arts at an early age. After broadly defining a visual language for himself between field paint and italian art povera, his encounter with computers allow him to unite his interests in science, music and visual art. Since then he has focused in generating a body of work that encompasses interactive installations, paintings, etchings, music and a variety of media. As he has stated, “The purpose of the work is to allow the body/mind of the observer to resonate with the work. Consider the work a score and the body/mind of the observer becomes the resonating instrument". Statement Somewhere I read that in old Indian philosophy the created universe is a vibrating and pulsating sound, every living creature contribute with its own unique characteristics to this huge and overwhelming music. Western philosophers later alluded to as the “the music of the spheres”. From Pythagoras to Kepler to Kant and today’s String Theory, the concept of a resonating universe continues to this day. Being music my first language I apply music concepts to my visual works. Rhythm, pitch, chromatic hue, tension, chords, tuning and other more unconscious and obscure parameters all play an important part. My aim is to produce a visual-sound, a chromatic vibration that resonates in the body of the observer in an unique and personal way.
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