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Netherlands
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9 x 12 in ($40)
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White ($80)
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Another One After the last Roundism drawing I immediately wanted to do another one. It became ‘Art Deco Nude – 15-08-22’. At the same time I was writing an art statement to my oil painting ‘Art Deco Nude – 14-08-22’. I searched for whom to give credit to for using the reference photograph. That turned out to be photographer Walter Bird. Some of his other pictures from the 1930s instantly made me grab my graphite pencils again. Walter Bird’s The sharp-edged razor lights around the body simply are smashing from an artistic point of view. It almost is incredible how the female form in the picture already is delineated so straigtly. I hate to say this but my result is more of an underligning than a deviation from the picture. The latter mostly is the case. I need not worry because I freely admit to simply honoring this guy. So, I will give you his name once more: Walter Bird. Go look him up! Roundism Over the last 10 years I made so many drawings I ran out of titles quickly. I started to name them after the style and I dated them. Roundism came easy because it’s more of swear word, a bit of mockery. Years ago someone found my description ‘New Cubism’ a bit presumptous, hence ‘Roundism’. As explained earlier, cubism was all about ‘multi-perspectivism’ and my particular style certainly is not. Moreover, I like a correct anatomy, atmospheric depth, etc. Anway, with my cubist intentions I stick to straightness rather than curves, even though I have often combined these two in the past.
Print:Giclee on Fine Art Paper
Size:9 W x 12 H x 0.1 D in
Size with Frame:14.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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