Casa Cruz Andi Drawing by Arta Garanca

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Casa Cruz Andi

Arta Garanca

United Kingdom

Drawing

Size: 11.7 W x 16.5 H x 0 D in

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About The Artwork

This specific house is situated in the same village as all the other drawings from this collection. It possesses some traditional details but it also holds a twist of an unusual approach. The house was designed and built by the artist who I met in this village, and his partner. The rainwater drainage pipe that is typically seen go down the front elevation and is created from ceramic tube-like pieces, takes an unusual turn here and flows across the front of the building in a snake-like manner. The bricks surrounding the window opening are forged from the seaside where they are washed out after the storm. The sign in the middle of the elevation is a combination of Patcha Mama and Cruz Andina symbols. This and all the other details and happenings of this building's process can be heard as stories when visiting the artist who was a co-creator of the house. The original drawing was given as a present to the owner of this house.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:9 W x 12 H x 0.1 D in

Frame:Not Framed

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Although for the last 10 years London was my home (originally born in Latvia), currently I am a backpacker moving through Europe crisscross. In 2019 I left my office job in London and in late autumn headed out on a volunteering trip. I wanted to learn if I can find a different use of my architectural skills through natural building and learn to live with the unknown while having all my personal belonging fitted in one backpack. Drawing became my companion. I recorded the visual experiences of my journeys through the subject closest to my heart - architecture. Each drawing is not only an image, there is a unique story and location behind every one of them. And behind each story, there is a more personal experience. And the combination of it all is what I am looking to share with the world. The technique of black and white ink drawings was always attractive to me. Daring to work with a pen directly on paper was the very opposite of my character. The wobbly and chaotic line work became a rebelliousness against the fear of making a mistake. It's an attempt to break the notion of right, wrong and proper. Many lines that are seemingly all over the place in wrong directions come together to create the final image.

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