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Netherlands
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8 x 12 in ($40)
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Interesting Synthesis This graphite pencil drawing ‘Neo Deco – 08-03-24’ is another homage to the realm of art deco. To be precise, I dedicate this one to photographer Walter Bird whose series ‘Beauty’s Daughthers’ is just breathtaking. Yet again because I already was inspired by some of his works as motifs for my drawings. In fact, last month. Thus, the Neo Deco series becomes an interesting synthesis of elements of art deco, cubism, roundism and surrealism. However, to some motifs I add more added value than others. Last one of Cleopatra came more from my mind than this one. Sometimes you’ll simply have to let it shine in its original splendor. Serving as a service-hatch from the Deco epoque to modern times, I take comfort in that. Adaptations It needed a bit of cubist styling and some abstraction. Especially in the highlights sections I skipped visible pores exposed by the oiled skin. Last but not least I deviated from the picture in the end. The head and neck looked a bit elongated compared to her chest. That could have been caused by the model leaning over towards the camera and warpness created by the camera lens. In addition, people were a shorter back in the day so the head-body ratio was a bit different. The more reason I made the head a bit smaller. The region between shoulder and jaw I also made a bit darker. Unfortunately an interesting swirl I created in the beck became an impediment. Such is life for an artist now and then.
Print:Giclee on Fine Art Paper
Size:8 W x 12 H x 0.1 D in
Size with Frame:13.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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