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Smells Like Hot Jazz Print

Blake Hughes

United States

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12 x 9 in ($40)

12 x 9 in ($40)

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$120
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About The Artwork

Sometimes I enjoy taking a beautifully blank, serene piece of paper and marking it, at times, relentlessly, until I find the urge to begin filling in between the marks. To cover the white, to take away the negative space introduced by bleaching, by industrial process and delivered to my doorstep for the edification of my ego in two dimensions. But, you can't start a sentence with but and you can't always cover the entire surface, sometimes you respond to what you've made instead of it responding to you, because this is jazz. This isn't about what you put in but what you leave out. Where you let themes and rhythms mix, where things intersect, it's where and how I responded in this moment of creation as the creator.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:12 W x 9 H x 0.1 D in

Size with Frame:17.25 W x 14.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Currently with my pieces I strive to use classical figures and traditions in a contemporary manner, to turn an ever mindful eye towards the history of art to reinterpret current social events. This hope to tackle subject matter with an eye towards social consciousness has led me to strive and push my limitations with various media, experimenting to find some way to comment on and attempt to tackle modern issues through art. This outward turn towards influences must also be meet with the inward turn as well and I reflect on my own Buddhist beliefs through art and experimentation, and by exploring a deep fascination with the iconography of Christ, Mother Mary, and those around them in the Western art tradition, as so many of these images formed the basis for my experience of fine art. During these explorations I will be turning to modern artists like Julie Mehretu, whose abstract compositions, with strong linear flow mixed with organic expressions create a visual plane unlike few others, and Eileen DeKooning, who serves as a critical and poignant innovator of abstract expressionism and who I have found a profoundly personal bond via her teaching of my professor and mentor Stan Sporny.

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