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The Venus of The Hague – 18-05-20 (sold) Print

Corné Akkers

Netherlands

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21 x 14 in ($129)

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$279

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ABOUT THE ARTWORK

The Venus of The Hague – 18-05-20 Last session with my model was fruitful and I had a mirror in mind like I used in my drawing ‘In hoc signo – 14-10-19’. I was satisfied with the result then and I sold it very quicky. Time to emulate it but the mirror at this moment reflecting her in the evening hours just didn’t work that well so I start sketching her without. Strange how the subconsciousness works because having her pose in this position only remind me to ‘The Rokeby Venus’ by Velázquez when it was almost finished. Recaptulating the process, I must have searched for such a pose because I had my mind set on a mirrored pose. I guess drawing a cherub holding the mirror must have felt too corny. Graphite pencil drawing (Pentel 0.5 mm, 3B) on Canson Bristol paper (21 x 29.7 x 0.1 cm) Artist: Corné Akkers

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

21 W x 14 H x 1.25 D in

Size with Frame:

22.75 W x 15.75 H x 1.25 D in

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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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