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ABOUT THE ARTWORK
The source of my power is a “point of infinity” - this is where everything started. Deep inside me exists a power of a dark-hearted beast, seething with rage. This collision of this power leads to the Big Bang of time and space by a physical speed. Due to this Big Bang, the sounds of my pounding heartbeat and racing breath are masked with white noise. At near-light speed, the existence of confusion and fear emerges as a distorted figure of the inside, reflected in a mirror. The Big Bang dissolves everything - even sharp light and endless power. Uncontrollably intense power and a burning desire are all scattered as pieces of fragments. The only thing left is the vestige of this very moment. Now numb to wrath and temporal pain, this beast is my fear. It is dashing in a parallel motion with me between the beginning and end.
Original Created:
2022
Subjects:
Materials:
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DETAILS AND DIMENSIONS
Print:
Giclee on Canvas
Size:
16 W x 16 H x 1.25 D in
Size with Frame:
17.75 W x 17.75 H x 1.25 D in
Frame:
White
Canvas Wrap:
Black Canvas
Ready to Hang:
Yes
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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MINSEOK KANG
South Korea
Throughout my life, I have expressed myself through art. From a young age, I have been fascinated by time and speed, and as an adult, I have come to express myself through the subject of automobiles. As time has passed, my artistic focus has shifted from emphasizing the external allure of automobiles to expressing their inner strength, developing a unique style. In my current work, I depict distorted car shapes as metaphors for the modern generation’s pursuit of happiness and the self-determined paths carved out amidst intense competition. Utilizing acrylic paints, I employ a squeegee scraping technique and incorporate embroidery to create artificial straight lines, conveying notions of speed and temporal forms. This fusion of methods allows me to explore the dynamic interplay between abstraction and representation, reflecting the complexities of contemporary existence.
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