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View In My Room
Fine Art Paper
10 x 10 in ($40)
White ($80)
14 Views
0
Artist featured in a collection
Just say what you want to say, and say it from your heart. All we need is love, all we do, we do to be loved. That's why it is so important to have a reminder of that. In this work, I was experimenting with a combination of paints and petals. I was trying to combine two materials from my different practices and periods in one work like they are Romeo and Juliette. In my practice, I use only gifted flowers, so the material itself contains the energy of love. I never cut or color my petals, so you can see the natural heart-shaped petal is a small miracle, saved to surprise forever, which will show the viewer that he|she is loved as he|she is. As I consider myself the citizen of the Earth, the hand-written text was added in French here to enhance the romantic approach with the reference to the beloved place of many couples.
Giclee on Fine Art Paper
10 W x 10 H x 0.1 D in
15.25 W x 15.25 H x 1.2 D in
White
Yes
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United Kingdom
For me, constantly moving between countries, not verbal, but the visual language has become an actual form of communication. My art is about our inner processes, often mirroring in the outer world. Being born in a multicultural environment, I consider myself a citizen of the world. I combine elements of different times and cultural communities to show the absence of the need for separation, labeling. After all, we form all this together, in co-existence. Nature with its processes has become both my source of inspiration and the most suitable material for my works. I am interested in its symbolic properties, intertextuality, transformative qualities, energy, and mood. I unite opposites, such as the tenderness of flowers and the hardness of epoxy resin, thereby revealing the ambivalence of being. I tear objects out of their natural cycle, idealizing them, transforming the finite into a semblance of the infinite. My work focuses on our notion and perception of time. I celebrate the beauty of imperfection because every flaw is a trace of the inexorable elusiveness of time, evidence of experiential involvement, and, thus, an organ of self-identification. That’s why the contingency of the process and the errors resulting from the experimental move are important to my practice.
Artist featured by Saatchi Art in a collection
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