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Fine Art Paper
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10 x 10 in ($52)
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White ($80)
“Jobs #1” is a chromogenic metallic print mounted on a 3/4” deep cradled wood painting panel and hand coated with polyepoxide resin. By its nature each reproduction is unique. No framing is needed. Crossbreeding the raw data of an original subject with non-photographic software creates a new layer of pixels that generates a hybrid and psychedelic visual referred to as Digital Art or New Media Art. The outcome is a mystifying re-interpretation of the visual imprinted in one’s memory.
Original Created:2015
Subjects:Pop Culture/Celebrity
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United States
I am a Belgian photographer living in New York City, USA. For over thirty years I have been shooting editorial and advertising work that runs the gamut of still life, fashion and celebrity photography. Since relocating my studio in 2010 across the East River, within the artistic community of Long Island City, I have mostly focused on imagery that reveals the passing of time within an oddly shaped and jagged edged world where sudden mishaps accelerate the process. In series such as Crash and Slash on view at https://www.saatchiart.com/jmguyaux my approach to the contemporary object is not to "look at how beautiful that was" but to "look at what a beautiful thing it has become" and recognize as well as visualize the nature of the metamorphosis. As of late I have discovered the fascinating domain of New Media Art where the few thousand pixels image of the original maker are subverted to such transformation that its original content or genre will only be serving as a construct to a new physicality. My series of iconic imagery originates in the raw data of a picture that is manipulated and distorted via non-photographic software so as to reappear as a new layer of pixels and create an abstraction leading to the re-interpretation of the visual imprinted in one’s memory. By confronting the present, exploration of past and future are left to the imagination.
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