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Rusty Still Life in Black and White Print

Dora Stork

Hungary

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About The Artwork

Digital black and white version of my painting Rusty Still Life. The original painting is pure encaustic, hot wax, and pigments on gesso primed fibreboard Sometimes I don't know why I paint something, like this painting. I just paint. I have never painted this theme and color scheme before or since. I finished this painting on a Sunday in October 2010. The next day, the dam broke and red mud flooded two Hungarian settlements. This story was very strange to me. I believe in subliminal warnings. Not, as a mystic. The subconscious part of our brain collects and analyzes a lot of information. We generally do not have access to these analyses. But sometimes we get a strange feeling about something that we can't explain. Not familiar to you? The painting is made with self-made paint, which basically consists of pigments and beeswax. Does not contain oil or other paints. The procedure itself dates back to antiquity and has been known for thousands of years. Only a few artists around the world work with wax on their own.

Details & Dimensions

Print:Giclee on Photo Paper

Size:8 W x 10 H x 0.1 D in

Size with Frame:13.25 W x 15.25 H x 1.2 D in

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„I show the details instead of the whole, sort of inviting the viewer to embrace and understand their surroundings” Dora Stork was selected artist in the London Art Biennale in 2023, an award-winning Hungarian painter whose art has appeared in solo and group exhibitions in the UK, Hungary, and Romania. Her work can also be found in many private collections in the United States, the European Union, and Japan. Dora is an abstract realistic encaustic artist: abstract in the world of color, realistic in the world of form, and symbolist in meaning. As a politically minded painter, she is interested in public life as well as social and economic processes. She presents her particular vision in these works. The dreamlike compositions are her intuitive reflections on public issues. At the same time, seemingly astonishing, strange circumstances and inappropriate details on a rational sphere might evoke questions in the viewer. She mainly uses pure wax and pigments to make her paintings. Over the years, she has developed a medium that does not contain oil or any non-waxy additives. When she occasionally paints with acrylic, the characteristics of her figurative style transform into an imaginary interpretation of nature. Dora is an active, awarded member of her community and regularly takes part in their group exhibitions every year.

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