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SUPREMATIC MULTI SAINTS ICON - Limited Edition of 1 Print

Oleg Ikona

United Kingdom

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About The Artwork

There is a first inter-faith icon composed for any kind of believers of any kind of Jesus oriented confessions. It can be used for general services in Orthodox, Catholic, Judaic churches, as well as in various American separatist sects like Baptists, Mormons and Amish. The main idea of the icon is to unite believers who suppressed by local archaic and rudimental traditions into single progressive circle powered with highly plural and communicative ideology. This compact multi-religious piece filled with all types of sacral signs can act as powerful collective mind fetish blurring out boundaries between the different perceptions of supernatural essence. COMMENT: This icon recommended for installation in such inter-spiritual public places like the Rothko Chapel in Houston. INSTRUCTIONS: Press the green button above the multi-saint's head to employ Kepler–Poinsot Polyhedra star blinking. Push the blue button in the centre of David's star for various sound effects. Enjoy the bright future of various faiths' incorporation.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in the USSR. Studied in Russia and UK. Live and work in London. I create icons, but my forms of iconography are unlike any other. My icons are contemporary cultural hybrids; unusual, unnerving, stark and controversial. “Oleg's highly attractive ‘symbolic sculptures’ may not seem innocuous, but they are beguiling – and contain a myriad of tensions. He has transformed the art of icon making – the all-powerful nature of a created symbol – and tried to liberate the icons which pervade society, from their conventional roles. His art joins precise sacred paintings with interactive electronics, such as microchips, mobile phones, radios and plastic toys – juxtaposing religious iconography with modern consumerism. But the creating this symbiosis between the imagery of modern world and the religious myths, Oleg has created a new commentary on popular culture. His icons represent the changing times of our society, peoples attitudes, politics, and as he says “the unification of two polar things: old magic and new technologies.” The art which Oleg produces has the unique ability of provoking the mind and the heart, which makes it doubly combustible. What’s interesting is how our environment has become so pervaded with icons, so saturated with symbols which aren’t just revered, but also derided, spoofed, and mixed, that people seem to have become immune to any mixing that takes place, and can be comfortably indifferent to the amalgamation of sacred symbols.” Brandon Hooper Oleg Ikona has exhibited widely in Europe and America, bailed as a witty inventor, cosmopolitan and poetic; yet in Russia be encounters widespread State and Church criticism for the anti-religious morality of his work. At 2004 after religious attacks on his art he left Russia for UK as refugee. His studio with art works in St. Petersburg burned down a month after he escaped. No one found guilty.

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