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8 x 12 in ($40)
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White ($80)
Agerd’s experimentation with stones and her adaptation of the chakra color system are combined here to produce a chart for spiritual progress. The figure is sitting zazen, with each chakra station expanded into the setting beyond the body. In this conception, the interior and exterior have no clear border, and the body is merely a vessel for transformation rather than a prison of flesh. The use of stones at particu- lar points in the body, collected by color and placed in the corresponding chakra, points to reiki. In this Japanese practice, stones are placed on parts of the body to adjust and recali- brate supple energies. This expands on Agerd’s use of stones in her artwork as a means to heal and transform.
Print:Giclee on Photo Paper
Size:8 W x 12 H x 0.1 D in
Size with Frame:13.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
ABOUT GALINA AGERD Galina Agerd was born in Kazakhstan to a creative family. Agerd’s father was a nationally recognized architect, and he trained his daughter to sketch at an early age. Taking inspiration from the likes of Kandinsky and Miró, she experimented endlessly, taking special care to understand the full capabilities of the latest paints and materials. She collected insights from her years of travel, incorporating the multitude of styles and methods she had observed across various cultures. Eventually, Agerd set aside her career in finance to embrace her calling as an artist. After many years of study, she had amassed a great deal of knowledge that she felt she needed to share with the world through her art. She emerged with the Flow method — the product of a personal struggle to rediscover the wisdom of meditative silence and wholeness. Her work represents the emergence of visions from our collective well of hopes and wisdom. While our material culture insists that the highest good is the newest purchase, with the emphasis always on attaining perfection and impressing others, Agerd’s painting reminds us that the highest good is carried inside of us, if we only remember to look.
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