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VIEW IN MY ROOM

1000 light years Ahead Print

Dan Guz Man

Mexico

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About The Artwork

... About my view of a dream that lasted 1000 lightyears "They will choose a character and start dreaming from then on" d a n g u z m a n 1000 Light years from now, points directly at the "future", the one that in the past, we look ahead as which now is the "present". This "present" has been altered by the events that have taken place a long time ago. Maybe 1000 (normal) years in the past. In order to present this idea, dan guz man throws a curve to the viewer in terms of questioning reality as well as moral and human behavior like in a butterfly effect distorted reality. All throughout our whole history as a human civilization.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Architect, designer, musician, and painter, Dan is a Multidisciplinary artist who grew up surrounded by art. Since his childhood, the great master's family books made him fall in love with artistic creation. Inspired by rebel artists toward aesthetic dogma, Mexican and international painters marked his criteria. Since then, he is compromised to create art from his guts without any mental barrier or hesitation. Compelling paintings, Intriguing paintings, screaming paintings. Dan submerges the spectator into the most profound areas of his psyche. His canvasses tell stories that surround human nature. The urban landscape is not limited to acting as a sterile backstage but performs and plays a part as another character. His Concept as well as his graphic language it’s clearly influenced by his architectural knowledge. Dan’s work reminds surreal expressionism. One can find cityscapes as a "leitmotiv" in his work, Dan deforms de ideal accuracy, precision, and perfection that architecture tries to achieve, by comparing reality with the chaotic order that nature really delivers. He "fixes" his buildings straight and artificial lines by tracing free hand and obtaining a sketchy and imprecise trace that tries to copy nature in its purest form. The cities that he paints evolve into a poetic rhyme over utopic architecture. Composed of artificial and natural energy, his graphic dialogue presents non-static scenes. The collective spirit in his paintings speaks about a constant fight against, conformism and the full understanding of oneself as a mind, spirit, and body. His work is filled with elements that are related to the final concept, building micro-narrative stories on each painting.

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