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220214 Print

John Alexander Abbott

Greece

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9 x 12 in ($40)

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About The Artwork

Phenomenology on a paper bag. Colours - red, blue, yellow, white, black- mixing and creating hues of grey. A close-up reveals that the colours have not completely intermix, but coloured threads intermix to create the illusion of grey. Successive stimuli help consciousness create successive impressions that gather as memories, waiting for the moment to be summoned by consciousness as new potential stimuli and so on... Torn edges of the paper surface intensify the feeling of imbalance, randomness, lack of organization... consequently trhe feeling of dynamism: a tribute to wabi shabi. The feeling of dynamism is also intensified by the diagonal colour flows and the chaotic whirls of the intermixed colours, in the middle of the painting. The faktura of this work is underlined by the torn edges, mentioned above, and the surfaces of dense paint.Also, the creases of the paper and its bumps here and there.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:9 W x 12 H x 0.1 D in

Size with Frame:14.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a self-taught artist, based in Thessaloniki and active for the last +50 years. Having started with figurative art, I have been through various styles over the years, Impressionism, Surrealism, Byzantine Iconography, Suprematism, Constructivism. Following a steady course towards abstraction. Lately, and after a geometric period, I am experimenting in an even more abstract style that involves liquid acrylic pigment poured over a surface - preferably package paper- and free intermixing of the colours with flow lines formation, often exceeding the painting surface bounds. Mainly inspired by Phenomenology and the ideas of how consciousness functions, my current work can be characterized free and abstract with no use of brushes or other painting tools. The flow of the liquid colours denote the continuous flow of the outer stimuli of the human consciousness, represents the creation of the cerebral time and tries to access pre-consciousness human stages. The images substitute the language and help experience a mystical way to approaching answers to questions dilemmatic, tricky, or bearing no answers at all! My influences include Kazimir Malevich and Lyubov Popova, Byzantine icons, Giorgio Morandi, Kuzma Petrov-Vodkin, the brothers Limbourg, the architects Georgii Krutikov, Mies van der Rohe, Aldo Rossi, Lazar Khidekel, Iakov Chernikov and also, the Japanese culture and its insights like Wabi-Sabi or Suiseki and ceremonial practices like Chanoyu. Finally a big influence is Jazz music, and the atonal music of Iannis Xenakis.

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