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A Blue Sky Full of Stars - Hakea Laurina (Pincushion Hakea) Print

HSIN LIN

Australia

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About The Artwork

A Blue Sky Full of Stars - Hakea laurina (Pincushion hakea) By HSIN LIN 25/05/2023 Artist Acrylic on Acid-free stretched canvas. Signed at the front and ready to hang. Original Artwork. Comes with a certificate of authenticity. Side panels painted. D-rings and wire are attached at the back. Sealed with varnish. Affirmation: You are the brightest stars and meant to shine. To experience the seasons, it has become a routine of mine to paint the first bloom around my surrounding, during its flowering season. This is my 1st depiction of the gorgeous Hakea Laurina in front of my studio. I was drawn to the sight of this tall native shrub with pink-and-cream pompom flowers. These unique large globose crimson-yellow flowers enrich the winter colour and shine like little stars under the blue sky, the scenery is a pure bliss to enjoy. Hakea laurina (Pin-cushion Hakea), one of the most admired native plants of south-western Australia, has long been considered a symbol of nobility and longevity. The flower always blooms in its own time without competing with other flowers. May we all bloom in our time in the best season. Hope you enjoy this artwork of mine. -WILD BOTANICAL ABSTRACT SERIES by HSIN LIN- Artwork inspired by nature in Bayswater, Melbourne, winter, 2023.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

HSIN LIN, Award-winning Artist based in Melbourne, Australia. In Hsin Lin’s ongoing, signature contemporary floral series that feature native and common flowers we know, flowers represent life and each different type of flower has a unique symbolic meaning. Lin is inspired by her close observation of the natural world. Through a process of careful looking Lin is able to capture an incredible amount of intricate detail. To create the larger-scale work, Lin normally spends 6-12 months developing the intricate composition. The fine details such as the tiny petals have been developed through ten or more layers of paint. Lin describes that ‘although still-life is considered a traditional genre, each object in the paintings stands for a different meaning and has its own story. Flowers represent us as humans, vases represent the body carrying our soul, protecting us like a shield. The weaving basket stands for connections—the bonds between families, friends and all the people around us. Even if you are apart, everyone is still being linked together as a whole and we are stronger together.’ Lin’s paintings, a series of flowers in full bloom, remind us that we are alive and that life is vibrant, blossoming and full of potential. [BIOGRAPHY] Hsin Lin is a Melbourne-based award-winning artist who specializes in contemporary floral paintings. In both her expressive and realistic works, Lin has devoted herself to capturing the beauty and serenity embodied by the floral motifs she paints. Lin was featured in Australia Artist’s Palette magazine in 2017. She has exhibited widely and been recognized in various local art shows including the Camberwell Art Show, The Victorian Artists Society, amongst others. Lin has work in the permanent collection of the Mental Health Foundation Australia (MHFA), she was the winner of the National Mental Health Month Art Competition 2019, runner-up in 2020, 3rd Prize in 2021, and 3rd Prize in 2022. Her artworks are held in numerous private collections across Australia and internationally. Additional exhibitions include Maroondah Council 2022/2023 Arts and Cultural Grant – Public art project: Blossoms of Life - The Eucalyptus Flower For Everyone, Maroondah City Council’s Public Art project Signal Boxes (2021), BioPak Australia Art Series (2018), and Avant Card Australia Postcard (2017). [Awards] *Jan 2024 - Highly Commended award on artwork -A Thousand Ways to Love in Victorian Artists Society Summer Exhibition.

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