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Aquarius / Let the Sunshine In Print

Philip Leister

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When the moon is in the Seventh House And Jupiter aligns with Mars Then peace will guide the planets And love will steer the stars This is the dawning of the age of Aquarius Age of Aquarius Aquarius Aquarius Harmony and understanding Sympathy and trust abounding No more falsehoods or derisions Golden living dreams of visions Mystic crystal revelation And the mind's true liberation Aquarius Aquarius When the moon is in the Seventh House And Jupiter aligns with Mars Then peace will guide the planets And love will steer the stars This is the dawning of the age of Aquarius Age of Aquarius Aquarius Aquarius Aquarius Aquarius Let the sunshine, let the sunshine in, the sunshine in Let the sunshine, let the sunshine in, the sunshine in Let the sunshine, let the sunshine in, the sunshine in Oh, let it shine, c'mon Now everybody just sing along Let the sun shine in Open up your heart and let it shine on in When you are lonely, let it shine on Got to open up your heart and let it shine on in And when you feel like you've been mistreated And your friends turn away Just open your heart, and shine it on in 'Aquarius / Let the Sunshine In (The Flesh Failures)’ by The 5th Dimension Songwriters: James Rado / Gerome Ragni / Galt MacDermot "Medley: Aquarius/Let the Sunshine In (The Flesh Failures)" (commonly called "Aquarius/Let the Sunshine In", "The Age of Aquarius" or "Let the Sunshine In") is a medley of two songs written for the 1967 musical Hair by James Rado and Gerome Ragni (lyrics), and Galt MacDermot (music), released as a single by American R&B group the 5th Dimension. The song spent six weeks at number one on the US Billboard Hot 100 pop singles chart in the spring of 1969 and was eventually certified platinum in the US by the RIAA. Instrumental backing was written by Bill Holman and provided by session musicians commonly known as the Wrecking Crew. The actual recording is something of a rarity: the song was recorded in two cities, Los Angeles and Las Vegas, then mixed together in the studio. The song listed at number 66 on Billboard's "Greatest Songs of All Time”. History: The recording was led by veteran American producer and engineer Bones Howe, who had previously worked with the 5th Dimension as well as the Mamas & the Papas and Elvis Presley. As Howe tells it, the recording can be traced to an incident in which 5th Dimension lead singer Billy Davis Jr. left his wallet in a New York City cab; the man who found the wallet was involved in the production of Hair and invited the group to see the show: "After they'd seen it I received a phone call in which they were all talking over one another, saying 'We've got to cut this song "Aquarius". It's the best thing ever.'" Howe was skeptical ("This isn't a complete song. It's an introduction."), but after seeing the show on stage got the idea to create a medley with another musical moment from the show, a few bars from the song "The Flesh Failures" that consist of the repeated words "let the sunshine in." Although the two song fragments are in different keys and tempos, Howe resolved to "jam them together like two trains." The instrumental track was set to tape at Wally Heider Recording in Los Angeles by the Wrecking Crew rhythm section of Hal Blaine on drums, Joe Osborn on bass, Larry Knechtel on keyboards, and Tommy Tedesco on guitar along with guitarist Dennis Budimir. It also featured Strings, Winds and Brass instrumentations as well. However, the vocals were recorded separately in Las Vegas, where the 5th Dimension was performing at the time, using only two microphones for the five singers. Davis' solo during "Let the Sunshine In" was improvised during the session; songwriter Jimmy Webb, who happened into the studio during the recording, remarked to Howe, "My God, that's a number one record." Among the counterpoint phrases sung by Davis, include: "Oh, Let it Shine", "Open up your Heart", "You got to Feel it" and "I want you to sing along with the 5th Dimension". This song was one of the most popular songs of 1969 worldwide, and in the United States it reached the number one position on both the Billboard Hot 100 (for six weeks in April and May) and the Billboard Easy Listening chart. It also reached the top of the sales charts in Canada and elsewhere. Billboard ranked it as the No. 2 Hot 100 single for 1969. The recording won both the Grammy Award for Record of the Year and Best Pop Vocal Performance by a Group for the Grammy Awards of 1970, after being published on the album The Age of Aquarius by the 5th Dimension, and also being released as a seven-inch vinyl single record. The lyrics of this song were based on the astrological belief that the world would soon be entering the "Age of Aquarius", an age of love, light, and humanity, unlike the current "Age of Pisces". The exact circumstances for the change are "When the moon is in the seventh house, and Jupiter aligns with Mars." This change was presumed to occur at the end of the 20th century; however, astrologers differ widely as to precisely when. Astrologer Neil Spencer denounced the lyrics as "astrological gibberish", noting that Jupiter forms an astrological aspect with Mars several times a year and the moon is in the 7th House for two hours every day. These lines are considered by many to be merely poetic license, though some people take them literally. The American Film Institute's 100 Years...100 Songs list, published in 2004, ranked "Medley: Aquarius/Let the Sunshine In (The Flesh Failures)" as number 33. The 5th Dimension is an American popular music vocal group, whose repertoire includes pop, R&B, soul, jazz, light opera and Broadway – a melange referred to as "champagne soul". Formed as the Versatiles in late 1965, the group changed its name to "the 5th Dimension" by 1966. Between 1967 and 1973 they charted with 19 Top 40 hits on Billboard's Hot 100, two of which – "Up – Up and Away" (No. 7, 1967) and the 1969 number one "Medley: Aquarius/Let the Sunshine In (The Flesh Failures)" — won the Grammy Award for Record of the Year. Other big hits include "Stoned Soul Picnic" (No. 3), "Wedding Bell Blues" (No. 1), "One Less Bell to Answer" (No. 2), a cover of "Never My Love" (pop No. 12/Easy Listening No. 1), "(Last Night) I Didn't Get to Sleep at All" (No. 8) and "If I Could Reach You" (pop No. 10/Easy Listening No. 1). Three of their records reached the Top Ten of Billboard's Rhythm & Blues/Soul chart. Five of their 19 Top 20 hits on the Easy Listening chart reached number one. The five original members were Billy Davis Jr., Florence La Rue, Marilyn McCoo, Lamonte McLemore, and Ronald Townson. They have recorded for several labels over their careers. Their first work appeared on the Soul City label, which was started by Imperial Records/United Artists Records recording artist Johnny Rivers. The group later recorded for Bell/Arista Records, ABC Records, and Motown Records. Some of the songwriters popularized by the 5th Dimension went on to careers of their own, especially Ashford & Simpson, who wrote "California Soul". The group is also notable for having more success with the songs of Laura Nyro than Nyro did herself, particularly with "Stoned Soul Picnic", "Sweet Blindness", "Wedding Bell Blues", "Blowin' Away" and "Save the Country". The group also recorded songs by well-known songwriters such as "One Less Bell to Answer", written by Burt Bacharach and Hal David, and the songs and music of Jimmy Webb, who wrote their hit "Up – Up and Away". The group's 1967 LP The Magic Garden features all but one song composed by Webb. The 5th Dimension's producer Bones Howe used Bob Alcivar as the singers' vocal arranger, as well as instrumental backing by the Wrecking Crew for their recording sessions. Source: Wikipedia

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:12 W x 9 H x 0.1 D in

Size with Frame:17.25 W x 14.25 H x 1.2 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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