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Autumn in Pyongyang Print

deux fauves

Spain

Open Edition Prints Available:
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Canvas

Canvas

Fine Art Paper

Acrylic

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12 x 16 in ($95)

12 x 16 in ($95)

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White Canvas

White Canvas

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White ($135)

White ($135)

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$230

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ABOUT THE ARTWORK

I still remember the last fall that I passed in Pyongyang. A unique place to enjoy a delicious Starbucks coffee in the evening, while the silent Tesla parade decorates a city where everything seems to be in its place. Its streets, its people, even that f***ing crazy Power Ranger the one they call a leader is almost perfect.⁣⁣⁣⁣ Todavía recuerdo el último otoño que pasé en Pyongyang. Un lugar único donde disfrutar de un delicioso café de Starbucks al atardecer, mientras el desfile de los silenciosos Tesla decoran una ciudad en la que todo parece estar en su sitio. Sus calles, sus gentes, hasta ese p*** power ranger loco al que llaman líder es casi perfecto.

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

12 W x 16 H x 1.25 D in

Size with Frame:

13.75 W x 17.75 H x 1.25 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Deuxfauves is an art project that mixes pop culture with avant-garde art. In my large-format acrylics, styles and concepts as seemingly opposite as the work of El Greco and Matisse coexist with the wonderful world of the Muppets, 'The Noblefrog'. The frivolity of social networks with the audiovisual culture of the 30s, 'Koko The Clown'. At times, I also like to deconstruct icons, like Snow White, transforming an innocent Disney princess into a defiant boxer. All of them, unique works, joined piece by piece through a colorful imperfect line and a vision, at times, crazy. Deuxfauves es un proyecto artístico que mezcla la cultura pop con el arte de vanguardia. En mis acrílicos de gran formato conviven estilos y conceptos tan aparentemente opuestos como la obra de El Greco y Matisse con el maravilloso mundo de los Muppets, 'The Noblefrog'. La frivolidad de las redes sociales con la cultura audiovisual de los años 30, 'Koko The Clown'. En ocasiones, también me gusta deconstruir iconos, como Blancanieves, transfigurando una inocente princesa Disney en una desafiante boxeadora. Todas ellas, obras únicas, unidas piezas a pieza a través de un colorido trazo imperfecto y una visión, por momentos, disparatada.

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