VIEW IN MY ROOM
United Kingdom
Select a Material
Fine Art Paper
Select a Size
10 x 10 in ($40)
Add a Frame
White ($80)
Beginning And End In this painting I tried to show after the industrial age humans started changing the majority in the world and these changes were good to human beings but not for nature. And when humans started creations and manipulation agents new problems and diseases around the world started. The horse and the elephant are a symbol of the earth changing in many different ways. The person who is leaning on the the horse’s leg is a meaning of people that think this change to nature is a support to them to live and it has to be there.When it only fits for humans and damages nature.In the sky there is two people a man and a woman which are going to opposite directions and they are a couple they have chosen to be seperated from each other. This is because they had problems living their expectations from each other had gone higher because of the changes made on earth and they choose to be parted because they thought they should get a better living.The other people in the painting are the people who have their normal routine in life and don’t care about the changes made on earth
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
Have additional questions?
Please visit our help section or contact us.
United Kingdom
AZIZ ANZABI: From politics to poetics. Between tradition and modernity: tapping into memorial exploration to nourish collective consciousness. By placing interiority and personal experience at the service of political awareness, Aziz Anzabi relentlessly questions the means we have to rethink the world in order to relieve sentiments of suffering. Experiencing Iran / Iraq War at an early age, Aziz Anzabi's encounters with iconic figures of Iranian contemporary art such as Bahman Moasses or modern poet Sohrab Sepehri radically impacted his vision. Embodying concepts of exile and oppression, Aziz Anzabi explores novel paths into the idea of free speech, shaping psychic surrealisms to awaken consciences to the violence of our over-standardized world. “I want to mix tradition into contemporary art because I think that Qajar art is the only style that is solely Iranian, with its own unique framework and techniques”. Navigating abstraction and figuration his works evokes a symbolic grammar, both biographical and collective. Anzabi's fantasized landscapes - his moving humans, his uncertain and distorted forms - are so personal that they become universal. They are in no way free from technology, quite the contrary: they would not exist without it. By borrowing from the ancestral Qajar tradition, Aziz Anzabi becomes both craftsman and alchemist. This clever mix of technical requirements linked to an approach of memory nourished by loss, gives life to powerful works : unconscious testimonies, timeless sequences questioning our immediate future. Aziz Anzabi is a fully committed lucid embodiment of a new form of violent poetic activism.
Thousands Of Five-Star Reviews
We deliver world-class customer service to all of our art buyers.
Global Selection
Explore an unparalleled artwork selection by artists from around the world.
Satisfaction Guaranteed
Our 14-day satisfaction guarantee allows you to buy with confidence.
Support An Artist With Every Purchase
We pay our artists more on every sale than other galleries.
Need More Help?