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Poland
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10 x 8 in ($45)
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White ($80)
I have always been fascinated by cupolas, which I saw especially a lot when I was taking part in the Ukrainian Revolution in 2004. The atmosphere I had felt at that time gave me an inspiration to paint Eastern Orthodox churches. In this painting I have also placed a Greek temple, the source of not only the Eastern Orthodox culture but also of our whole civilization.
Original Created:2018
Subjects:Architecture
Materials:Canvas
Styles:DadaFigurativeSurrealism
Mediums:Acrylic
Print:Giclee on Fine Art Paper
Size:10 W x 8 H x 0.1 D in
Size with Frame:15.25 W x 13.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Poland
Waldemar “Major” Fydrych, a legendary Polish artist, is the author of “Manifesto of Socialist Surrealism” and the founder of the Orange Alternative, one of the history's most important artistic anti-totalitarian movements, strongly influenced by surrealism and dadaism. Brad Finger's book “Surrealism: 50 works you should know” published in 2013 by Prestel Publishing placed Waldemar Fydrych's graffiti artwork in line with surrealist works of Picasso, Dali, Duchamp and Artaud. Fydrych was born on April 8th 1953 in Toruń, Poland. He began his independent political and artistic activity in the 1970s. During Martial Law over one thousand graffiti of smiling „dwarfs” were painted by him on paint spots covering anti-regime slogans written by the anti-communist opposition on building walls, an action which he himself had called “Dialectic Art of Grand Social Forms.” He has been creating his idiosyncratic „dwarf” drawing and paintings ever since that time. “Waldemar „Major” Fydrych possesses uncompromising courage, and this is what allows him to engage in what he considers as right at a given point of his life. His work is inherently free of any fear and any preemptive obligation that binds the majority of other artists. Anyone who knows Major better, understands that in his case there is no room for constraints, as he is a free man, and for many indeed an epitome of freedom, also attentive to the freedom of others.” Professor Zdzisława Ludwiniak, Academy of Fine Arts, Warsaw
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