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France
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Fine Art Paper
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8 x 10 in ($66)
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White ($80)
In the night, forms similar to buildings, and light rays. A nightlife, invisible, is suggested. Starting from the title, which takes the famous one of a silent film by Charlie Chaplin (a masterpiece, at the moment when talking cinema was emerging), I wanted, without explicit reference to the content of this film and its romantic history, to suggest the adventures of night in the city (which can be joyful or tragic). The film takes place during the day, my painting evokes, in counterpoint, the urban night. Acrylic with brushes and mixed media LINEN canvas stretched on wooden frame with spacer. Rectangular vertical format.
Print:Giclee on Fine Art Paper
Size:8 W x 10 H x 0.1 D in
Size with Frame:13.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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France
French Woman) For me Abstract painting is emotion in colors. forms, energies, arise for a plural look I liked art very early, I started with drawing and painting (freehand reproductions). My motivation was always need to create. I realized it by writing and especially by self-taught painting. I secretly nurtured a vocation of artistic expression that grew in power. I visited galleries and museums in France and abroad, I followed artistic learning (university drawing course: figurative). Visits to the workshops of contemporary painters who kindly welcomed me, were the definitive trigger in years 2000 of a more intense practice. My taste for aesthetics, colors, textures and free expression of deep emotions naturally led me to contemporary on the margins of my professional activities. I took online acrylic painting courses. Here are some of my paintings. I use acrylic for its fluidity. I work mainly with brushes, brushes, sterilizers, sometimes in mixed technology with knives, spatulas, sponges, hands, sprays, pouring. I try to combine spontaneity and pictorial structure. My starting point can be intuition, impression, nsight (an inner vision), colour, line, shape… I like surprises and plastic incidents. I often play with effects of reliefs, movements, drops, dissonances, contrasts, irruptions, unfinished.
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