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Chandelier Grey - SOLD Print

Christian Dodd

United Kingdom

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8 x 12 in ($40)

8 x 12 in ($40)

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$120
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About The Artwork

Antique dutch brass six arm chandelier painted in a reductive tromp l'oeil style and simplified palette against a grey background. A similar type of chandelier is seen in Vermeer's 'The Art of Painting' and in other works by the Dutch masters. This large and highly decorative painting would be suited to contemporary as well as traditional interiors. The ornate chandelier is shown against a backdrop of grey which has a velvet like texture. The large dimensions of the painting make it an imposing feature artwork. Contrasts between the light and dark of the polished metalwork of the chandelier have been accentuated.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I've explored many subjects over my thirty year practice but my current focus centres around multi-panelled pieces inspired by the mechanics of slide puzzles. In these palimpsest works, I apply multiple layers of images, marks and patterns so that they occupy the same composition but in different states, allowing images and motifs to undergo a transformative process between each layer. This method becomes a metaphor for exploring the intricacies of incompatibility or inevitability and can be disconcertingly jarring or consistently reaffirming dependent upon the work. The deliberate scattering and breaking of images, motifs and symbols allows me to explore many different ideas within a single compositional style and is, for me as an artist, a breakthrough in addressing the disorder and confusion I see in myself and the world around me. Alongside the multi-panelled pieces, I engage in the abstraction of complex subjects in my paintings. By deliberately introducing complexity and then allowing it to evolve into abstraction through the reductive process of painting, I seek to evoke pareidolic reactions from viewers — a reminder of our innate human tendency to find meaning in the seemingly abstract and unfamiliar.

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