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View In My Room

Circles Print

Philip Leister

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ABOUT THE ARTWORK

When you were languishing in rooms I built to file you in And when the wind set down in funnel form and pulled you in I don't need to walk around in circles Walk around in circles, walk around in circles Walk around in Don't need to walk around in circles Walk around in circles, walk around in circles Walk around in And when the ghostly dust of violence traces everything And when the gas runs out just wreck it, you insured the thing I don't need to walk around in circles Walk around in circles, walk around in circles Walk around in Don't need to walk around in circles Walk around in circles, walk around in circles Walk around in Doom da doom da doom Well I'm going, I'm going Doom da doom da doom Well I'm going, I'm going Doom da doom da doom Well I'm going, I'm going Doom da doom da doom Well I'm going, I'm going But I can't sigh now that you made the move It has gone and gone to dogs Lay down on the floor For the right price I can get everything Slip into the car Go driving to the farthest star I don't need to walk around in circles, walk-a In circles, walk around in circles Walk around in-a Don't need to walk around in circles Walk around in circles, walk around in circles Walk around in Don't need to walk around in circles Walk around in circles, walk around in circles Walk around in ‘Circles’ by Soul Coughing Songwriters: Mark Degliantoni / Michael Doughty / Sebastian Steinberg / Yuval Gabay El Oso (Spanish for The Bear), released in 1998 (see 1998 in music), is the third and final studio album by the New York City band Soul Coughing. Before starting work on the album, the band toured with Full Cycle DJs Krust and Die supporting. As such, the disc is marked by a deep drum and bass influence and by a scattershot approach to production. Artist Jim Woodring (Frank) drew the cartoon "monkey-bear" on the disc's cover. The chorus of the song "$300" is a sample of a Chris Rock joke; singer Mike Doughty heard the joke which is backmasked on Rock's Roll with the New. Curious, Doughty recorded it into his ASR-10 sampler with the intention of simply reversing it and seeing what the joke was, and wrote the song around what he found there. The song was used in the House episode "The Softer Side" in 2009. The disc contained their biggest hit single, "Circles". Cartoon Network gave it a music video in which a Flintstones cartoon was synched to the song as part of their Groovies interstitial. The music video featured Fred, Barney and other Hanna-Barbera characters walking in front of the same repeating background. The video for the song "Rolling" was also produced, which was synced with a scene from a Betty Boop cartoon. The song was used in the 2004 remake of Walking Tall. El Oso made #1 on KTUH's charts on the week of January 25, 1999. 
 
 Soul Coughing was an American alternative rock band composed of vocalist/guitarist Mike Doughty (also known as M. Doughty), keyboardist/sampler Mark Degli Antoni, bassist Sebastian Steinberg, and drummer Yuval Gabay. Soul Coughing developed a devout fanbase and garnered largely positive response from critics. Steve Huey of AllMusic describes the band as "one of the most unusual cult bands of the 1990s... driven by frontman Mike Doughty's stream-of-consciousness poetry. Soul Coughing's sound was a willfully idiosyncratic mix of improvisational jazzgrooves, oddball samples, hip hop, electronics, and noisy experimentalism." The band's sound was described by Doughty as "deep slacker jazz.”
 
 Source: Wikipedia

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

10 W x 8 H x 0.1 D in

Size with Frame:

15.25 W x 13.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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